From paper to algorithm: the natural, the technological a priori and music in the Andes
Del papel a la algoritmia: lo natural, el a priori tecnológico y la música en los Andes
| 2016 | |
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technological a priori, music, phonographic records, ethnomusicology, Peruvian Andes. a priori tecnológico, música, grabaciones, etnomusicología, Andes peruanos |
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| Español | |
| Universidad ORT Uruguay | |
| RAD | |
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https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/2586
http://hdl.handle.net/20.500.11968/2875 |
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| Acceso abierto | |
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Copyright (c) 2016 Inmediaciones de la Comunicación http://creativecommons.org/licenses/by/4.0 |
| Sumario: | In this article I want to show what Friedrich Kittler (1999) has called a priori technological influence the conceptualization of music that is occurring in the Andes so far in the 21st century. To do that I will refer to two different, but convergent experiences due to their role as media: the recordings of the songs of Luis Ayvar, in which I participated as an ethnomusicologist and musician, and in field recordings made with the team of Yaku Taki in Cajamarca. I want to show that the technological a priori largely determines our way of thinking music, influencing directly both the ethnomusicologists practices and the musicians.(Complete article in spanish language). |
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