Violence and death on social networks: towards a Snuff 2.0
Violencia y muerte en las redes sociales: hacia un Snuff 2.0
Violência e morte nas redes sociais: rumo a um snuff 2.0.
| 2019 | |
|
snuff myth social networks realism Caught on Tape ethical space mito snuff redes sociales realismo Caught on Tape espacio ético |
|
| Español | |
| Universidad ORT Uruguay | |
| RAD | |
|
https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/2888
http://hdl.handle.net/20.500.11968/3992 |
|
| Acceso abierto | |
| Derechos de autor 2019 InMediaciones de la Comunicación |
| _version_ | 1807261350634717184 |
|---|---|
| author | Tonelli, Julián |
| author_facet | Tonelli, Julián |
| author_role | author |
| collection | RAD |
| dc.creator.none.fl_str_mv | Tonelli, Julián |
| dc.date.none.fl_str_mv | 2019-07-04 |
| dc.description.en-US.fl_txt_mv | This article undertakes an exploration around images that, with respect to their socio-cultural performance, are considered abject. It is based on two axes of analysis. A) realism and the impression of reality, considering the evolutionary development of reproduction devices linked to cinema; as well as the configuration and social insertion of those images that have been assumed and are assumed as realistic in the context of modern audiovisual culture. B) The controversy over the diffusion, circulation and consumption of media images of violence and death, taking into account their construction and their effects of meaning. In the present we are faced with a phenomenon propitiated by the Internet, namely that of deaths –by murder, suicide or accident– which are broadcast through social networks. The goal here is to elucidate some fundamental characteristics of this novel object, connected to amateur video and the determinant role of the Internet in the contemporary evolution of the urban myth of snuff movies. Such an object would imply, to a greater or lesser extent, an updating of issues related to audiovisual production and the mentioned myth. We intend to investigate what this supposed updating would consist of. |
| dc.description.es-ES.fl_txt_mv | Este artículo emprende una exploración en torno a imágenes que, respecto de su desempeño sociocultural, se consideran abyectas. Se tienen en cuenta dos ejes de análisis centrales: a) el realismo y la impresión de realidad, considerando el desarrollo evolutivo de los dispositivos de reproducción vinculados al cine; así como la configuración y la inserción social de aquellas imágenes que se han asumido y que se asumen como realistas en el contexto de la cultura audiovisual moderna; b) la controversia sobre la difusión, la circulación y el consumo de imágenes mediáticas de violencia y muerte, teniendo en cuenta su construcción y sus efectos de sentido. Los fenómenos actuales propiciados por Internet, a saber, la emisión de muertes –por asesinato, suicidio o accidente– a través de las redes sociales. La meta aquí es dilucidar algunas características fundamentales de este objeto novedoso, conectado al video amateur y al rol determinante de Internet en la evolución contemporánea del mito urbano de las snuff movies (asesinatos perpetrados para su registro filmado). Dicho objeto implica una actualización de cuestiones vinculadas a la producción audiovisualal mito mencionado. El propósito es indagar en qué consistiría esa supuesta actualización. |
| dc.format.none.fl_str_mv | text/html application/pdf |
| dc.identifier.none.fl_str_mv | https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/2888 10.18861/ic.2019.14.1.2888 |
| dc.identifier.uri.none.fl_str_mv | http://hdl.handle.net/20.500.11968/3992 |
| dc.language.iso.none.fl_str_mv | spa |
| dc.publisher.es-ES.fl_str_mv | Universidad ORT Uruguay |
| dc.relation.none.fl_str_mv | https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/2888/2961 https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/2888/2928 |
| dc.rights.license.none.fl_str_mv | Derechos de autor 2019 InMediaciones de la Comunicación |
| dc.rights.none.fl_str_mv | info:eu-repo/semantics/openAccess |
| dc.source.es-ES.fl_str_mv | InMediaciones de la Comunicación; Vol. 14 Núm. 1 (2019): Inmediaciones de la Comunicación; 109-127 |
| dc.source.none.fl_str_mv | 1688-8626 1510-5091 10.18861/ic.2019.14.1 reponame:RAD instname:Universidad ORT Uruguay instacron:Universidad ORT |
| dc.subject.en-US.fl_str_mv | snuff myth social networks realism Caught on Tape ethical space |
| dc.subject.es-ES.fl_str_mv | mito snuff redes sociales realismo Caught on Tape espacio ético |
| dc.title.none.fl_str_mv | Violence and death on social networks: towards a Snuff 2.0 Violencia y muerte en las redes sociales: hacia un Snuff 2.0 Violência e morte nas redes sociais: rumo a um snuff 2.0. |
| dc.type.es-ES.fl_str_mv | vol10 |
| dc.type.none.fl_str_mv | info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| dc.type.version.none.fl_str_mv | info:eu-repo/semantics/publishedVersion |
| description | This article undertakes an exploration around images that, with respect to their socio-cultural performance, are considered abject. It is based on two axes of analysis. A) realism and the impression of reality, considering the evolutionary development of reproduction devices linked to cinema; as well as the configuration and social insertion of those images that have been assumed and are assumed as realistic in the context of modern audiovisual culture. B) The controversy over the diffusion, circulation and consumption of media images of violence and death, taking into account their construction and their effects of meaning. In the present we are faced with a phenomenon propitiated by the Internet, namely that of deaths –by murder, suicide or accident– which are broadcast through social networks. The goal here is to elucidate some fundamental characteristics of this novel object, connected to amateur video and the determinant role of the Internet in the contemporary evolution of the urban myth of snuff movies. Such an object would imply, to a greater or lesser extent, an updating of issues related to audiovisual production and the mentioned myth. We intend to investigate what this supposed updating would consist of. |
| eu_rights_str_mv | openAccess |
| format | article |
| id | RAD_d5cb42f04177bda7ca103f4f2dc74c76 |
| identifier_str_mv | 10.18861/ic.2019.14.1.2888 |
| instacron_str | Universidad ORT |
| institution | Universidad ORT |
| instname_str | Universidad ORT Uruguay |
| language | spa |
| network_acronym_str | RAD |
| network_name_str | RAD |
| oai_identifier_str | oai:rad.ort.edu.uy:20.500.11968/3992 |
| publishDate | 2019 |
| reponame_str | RAD |
| repository.mail.fl_str_mv | rodriguez_v@ort.edu.uy |
| repository.name.fl_str_mv | RAD - Universidad ORT Uruguay |
| repository_id_str | 3927 |
| rights_invalid_str_mv | Derechos de autor 2019 InMediaciones de la Comunicación |
| spelling | Tonelli, Julián2019-07-04This article undertakes an exploration around images that, with respect to their socio-cultural performance, are considered abject. It is based on two axes of analysis. A) realism and the impression of reality, considering the evolutionary development of reproduction devices linked to cinema; as well as the configuration and social insertion of those images that have been assumed and are assumed as realistic in the context of modern audiovisual culture. B) The controversy over the diffusion, circulation and consumption of media images of violence and death, taking into account their construction and their effects of meaning. In the present we are faced with a phenomenon propitiated by the Internet, namely that of deaths –by murder, suicide or accident– which are broadcast through social networks. The goal here is to elucidate some fundamental characteristics of this novel object, connected to amateur video and the determinant role of the Internet in the contemporary evolution of the urban myth of snuff movies. Such an object would imply, to a greater or lesser extent, an updating of issues related to audiovisual production and the mentioned myth. We intend to investigate what this supposed updating would consist of.Este artículo emprende una exploración en torno a imágenes que, respecto de su desempeño sociocultural, se consideran abyectas. Se tienen en cuenta dos ejes de análisis centrales: a) el realismo y la impresión de realidad, considerando el desarrollo evolutivo de los dispositivos de reproducción vinculados al cine; así como la configuración y la inserción social de aquellas imágenes que se han asumido y que se asumen como realistas en el contexto de la cultura audiovisual moderna; b) la controversia sobre la difusión, la circulación y el consumo de imágenes mediáticas de violencia y muerte, teniendo en cuenta su construcción y sus efectos de sentido. Los fenómenos actuales propiciados por Internet, a saber, la emisión de muertes –por asesinato, suicidio o accidente– a través de las redes sociales. La meta aquí es dilucidar algunas características fundamentales de este objeto novedoso, conectado al video amateur y al rol determinante de Internet en la evolución contemporánea del mito urbano de las snuff movies (asesinatos perpetrados para su registro filmado). Dicho objeto implica una actualización de cuestiones vinculadas a la producción audiovisualal mito mencionado. El propósito es indagar en qué consistiría esa supuesta actualización.text/htmlapplication/pdfhttps://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/288810.18861/ic.2019.14.1.2888http://hdl.handle.net/20.500.11968/3992spaUniversidad ORT Uruguayhttps://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/2888/2961https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/2888/2928info:eu-repo/semantics/openAccessDerechos de autor 2019 InMediaciones de la ComunicaciónInMediaciones de la Comunicación; Vol. 14 Núm. 1 (2019): Inmediaciones de la Comunicación; 109-1271688-86261510-509110.18861/ic.2019.14.1reponame:RADinstname:Universidad ORT Uruguayinstacron:Universidad ORTsnuff mythsocial networksrealismCaught on Tapeethical spacemito snuffredes socialesrealismoCaught on Tapeespacio éticoViolence and death on social networks: towards a Snuff 2.0Violencia y muerte en las redes sociales: hacia un Snuff 2.0Violência e morte nas redes sociais: rumo a um snuff 2.0.info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionvol10info:eu-repo/semantics/publishedVersion20.500.11968/39922020-07-15 12:40:10.056oai:rad.ort.edu.uy:20.500.11968/3992https://rad.ort.edu.uyUniversidadhttps://www.ort.edu.uy/https://rad.ort.edu.uy/server/oai/requestrodriguez_v@ort.edu.uyUruguayopendoar:39272020-07-15T12:40:10RAD - Universidad ORT Uruguayfalse |
| spellingShingle | Violence and death on social networks: towards a Snuff 2.0 Tonelli, Julián snuff myth social networks realism Caught on Tape ethical space mito snuff redes sociales realismo Caught on Tape espacio ético |
| status_str | publishedVersion |
| title | Violence and death on social networks: towards a Snuff 2.0 |
| title_full | Violence and death on social networks: towards a Snuff 2.0 |
| title_fullStr | Violence and death on social networks: towards a Snuff 2.0 |
| title_full_unstemmed | Violence and death on social networks: towards a Snuff 2.0 |
| title_short | Violence and death on social networks: towards a Snuff 2.0 |
| title_sort | Violence and death on social networks: towards a Snuff 2.0 |
| topic | snuff myth social networks realism Caught on Tape ethical space mito snuff redes sociales realismo Caught on Tape espacio ético |
| url | https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/2888 http://hdl.handle.net/20.500.11968/3992 |
