Music, visuality and spectacle: from flash mob to smart mob
Música, visualidad y espectáculo: del flash mob al smart mob
| 2016 | |
|
music, semiotics, visuality, performances, flash mobs música, semiótica, visualidad, performances, flash mobs. |
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| Español | |
| Universidad ORT Uruguay | |
| RAD | |
|
https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/2588
http://hdl.handle.net/20.500.11968/2868 |
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| Acceso abierto | |
|
Copyright (c) 2016 Inmediaciones de la Comunicación http://creativecommons.org/licenses/by/4.0 |
| _version_ | 1807261349991940096 |
|---|---|
| author | Tenoch Cid Jurado, Alfredo; Universidad Autónoma Metropolitana - Xochimilco |
| author_facet | Tenoch Cid Jurado, Alfredo; Universidad Autónoma Metropolitana - Xochimilco |
| author_role | author |
| collection | RAD |
| dc.contributor.en-US.fl_str_mv | |
| dc.contributor.es-ES.fl_str_mv | |
| dc.creator.none.fl_str_mv | Tenoch Cid Jurado, Alfredo; Universidad Autónoma Metropolitana - Xochimilco |
| dc.date.none.fl_str_mv | 2016-10-13 |
| dc.description.en-US.fl_txt_mv | From a series of instruments of visual semiotics and space, are the possibilities of interaction music, visualization and the show in the creation of meanings from significant forms of flash mob and its ideological variant, the smart mob. Thanks to some reflections of Eco (1976, 1979), Cano (2002), Tarasti (2006), Pavis (1994, 1996, 2011) y Tatit (2007) it is possible to observe the form of the construction of the meaning of spectacular demonstrations performed in restaurants, public squares, shopping malls, airports, railway stations, etc. with the capacity of to be semantizated from a massive performance.(Complete article in spanish language). |
| dc.description.es-ES.fl_txt_mv | A partir de una serie de instrumentos de la semiótica visual y del espacio, se observan las posibilidades de interacción de la música, la visualidad y el espectáculo en la creación de significados a partir de las formas significantes del flash mob y su variante ideológica, el smart mob. Gracias a algunas reflexiones de Eco (1976, 1979), Cano (2002), Tarasti (2006), Pavis (1994, 1996, 2011) y Tatit (2007) es posible observar la forma de construcción del significado de manifestaciones espectaculares realizadas en restaurantes, plazas públicas, centros comerciales, aeropuertos, estaciones de trenes, etc. con la capacidad de semantizarlos a partir de un acto multitudinario. |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.none.fl_str_mv | https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/2588 10.18861/ic.2015.10.10.2588 |
| dc.identifier.uri.none.fl_str_mv | http://hdl.handle.net/20.500.11968/2868 |
| dc.language.iso.none.fl_str_mv | spa |
| dc.publisher.es-ES.fl_str_mv | Universidad ORT Uruguay |
| dc.relation.none.fl_str_mv | https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/2588/2567 |
| dc.rights.license.none.fl_str_mv | Copyright (c) 2016 Inmediaciones de la Comunicación http://creativecommons.org/licenses/by/4.0 |
| dc.rights.none.fl_str_mv | info:eu-repo/semantics/openAccess |
| dc.source.es-ES.fl_str_mv | InMediaciones de la Comunicación; Vol. 10 (2015): InMediaciones de la Comunicación; 91-105 |
| dc.source.none.fl_str_mv | 1688-8626 1510-5091 10.18861/ic.2015.10.10 reponame:RAD instname:Universidad ORT Uruguay instacron:Universidad ORT |
| dc.subject.en-US.fl_str_mv | music, semiotics, visuality, performances, flash mobs |
| dc.subject.es-ES.fl_str_mv | música, semiótica, visualidad, performances, flash mobs. |
| dc.title.none.fl_str_mv | Music, visuality and spectacle: from flash mob to smart mob Música, visualidad y espectáculo: del flash mob al smart mob |
| dc.type.en-US.fl_str_mv | |
| dc.type.es-ES.fl_str_mv | vol10 |
| dc.type.none.fl_str_mv | info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| dc.type.pt-BR.fl_str_mv | |
| dc.type.version.none.fl_str_mv | info:eu-repo/semantics/publishedVersion |
| description | From a series of instruments of visual semiotics and space, are the possibilities of interaction music, visualization and the show in the creation of meanings from significant forms of flash mob and its ideological variant, the smart mob. Thanks to some reflections of Eco (1976, 1979), Cano (2002), Tarasti (2006), Pavis (1994, 1996, 2011) y Tatit (2007) it is possible to observe the form of the construction of the meaning of spectacular demonstrations performed in restaurants, public squares, shopping malls, airports, railway stations, etc. with the capacity of to be semantizated from a massive performance.(Complete article in spanish language). |
| eu_rights_str_mv | openAccess |
| format | article |
| id | RAD_62cd4804ac969f4323d56648aa2fd2c6 |
| identifier_str_mv | 10.18861/ic.2015.10.10.2588 |
| instacron_str | Universidad ORT |
| institution | Universidad ORT |
| instname_str | Universidad ORT Uruguay |
| language | spa |
| network_acronym_str | RAD |
| network_name_str | RAD |
| oai_identifier_str | oai:rad.ort.edu.uy:20.500.11968/2868 |
| publishDate | 2016 |
| reponame_str | RAD |
| repository.mail.fl_str_mv | rodriguez_v@ort.edu.uy |
| repository.name.fl_str_mv | RAD - Universidad ORT Uruguay |
| repository_id_str | 3927 |
| rights_invalid_str_mv | Copyright (c) 2016 Inmediaciones de la Comunicación http://creativecommons.org/licenses/by/4.0 |
| spelling | Tenoch Cid Jurado, Alfredo; Universidad Autónoma Metropolitana - Xochimilco2016-10-13From a series of instruments of visual semiotics and space, are the possibilities of interaction music, visualization and the show in the creation of meanings from significant forms of flash mob and its ideological variant, the smart mob. Thanks to some reflections of Eco (1976, 1979), Cano (2002), Tarasti (2006), Pavis (1994, 1996, 2011) y Tatit (2007) it is possible to observe the form of the construction of the meaning of spectacular demonstrations performed in restaurants, public squares, shopping malls, airports, railway stations, etc. with the capacity of to be semantizated from a massive performance.(Complete article in spanish language).A partir de una serie de instrumentos de la semiótica visual y del espacio, se observan las posibilidades de interacción de la música, la visualidad y el espectáculo en la creación de significados a partir de las formas significantes del flash mob y su variante ideológica, el smart mob. Gracias a algunas reflexiones de Eco (1976, 1979), Cano (2002), Tarasti (2006), Pavis (1994, 1996, 2011) y Tatit (2007) es posible observar la forma de construcción del significado de manifestaciones espectaculares realizadas en restaurantes, plazas públicas, centros comerciales, aeropuertos, estaciones de trenes, etc. con la capacidad de semantizarlos a partir de un acto multitudinario.application/pdfhttps://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/258810.18861/ic.2015.10.10.2588http://hdl.handle.net/20.500.11968/2868spaUniversidad ORT Uruguayhttps://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/2588/2567info:eu-repo/semantics/openAccessCopyright (c) 2016 Inmediaciones de la Comunicaciónhttp://creativecommons.org/licenses/by/4.0InMediaciones de la Comunicación; Vol. 10 (2015): InMediaciones de la Comunicación; 91-1051688-86261510-509110.18861/ic.2015.10.10reponame:RADinstname:Universidad ORT Uruguayinstacron:Universidad ORTmusic, semiotics, visuality, performances, flash mobsmúsica, semiótica, visualidad, performances, flash mobs.Music, visuality and spectacle: from flash mob to smart mobMúsica, visualidad y espectáculo: del flash mob al smart mobinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionvol10info:eu-repo/semantics/publishedVersion20.500.11968/28682020-04-03 00:32:25.395oai:rad.ort.edu.uy:20.500.11968/2868https://rad.ort.edu.uyUniversidadhttps://www.ort.edu.uy/https://rad.ort.edu.uy/server/oai/requestrodriguez_v@ort.edu.uyUruguayopendoar:39272020-04-03T00:32:25RAD - Universidad ORT Uruguayfalse |
| spellingShingle | Music, visuality and spectacle: from flash mob to smart mob Tenoch Cid Jurado, Alfredo; Universidad Autónoma Metropolitana - Xochimilco music, semiotics, visuality, performances, flash mobs música, semiótica, visualidad, performances, flash mobs. |
| status_str | publishedVersion |
| title | Music, visuality and spectacle: from flash mob to smart mob |
| title_full | Music, visuality and spectacle: from flash mob to smart mob |
| title_fullStr | Music, visuality and spectacle: from flash mob to smart mob |
| title_full_unstemmed | Music, visuality and spectacle: from flash mob to smart mob |
| title_short | Music, visuality and spectacle: from flash mob to smart mob |
| title_sort | Music, visuality and spectacle: from flash mob to smart mob |
| topic | music, semiotics, visuality, performances, flash mobs música, semiótica, visualidad, performances, flash mobs. |
| url | https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/2588 http://hdl.handle.net/20.500.11968/2868 |
