Sound design and genealogy of its unrequitable materiality

El diseño de sonido y la genealogía de su materialidad no cosificable

Constantini, Gustavo; Universidad de Buenos Aires, Universidad Nacional de las Artes
Detalles Bibliográficos
2016
Sound, design, phisicality, sound object, sound design, tone
Sonido, diseño, materialidad, objeto sonoro, diseño de sonido, timbre
Español
Universidad ORT Uruguay
RAD
https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/2583
http://hdl.handle.net/20.500.11968/2891
Acceso abierto
Copyright (c) 2016 Inmediaciones de la Comunicación
http://creativecommons.org/licenses/by/4.0
Resumen:
Sumario:Most theories of design agree that we can speak of design when there is a material result, an object that is designed. Therefore, Sound could not be considered as design since it is not subjected to manipulations like a thing. This paper proposes a revision of these notions from a point of view that understands sound as a material that is not considered as a thing, and by these means responding to all characteristics proposed by main theories.Materiality in sound begins with music through timbre explorations, and from that point we arrive to XX Century several propositions that are extended to the sound design field, in particular, the in the audiovisual domain.(Complete article in spanish language).