Theater and Cinema for the general public. Accessibility and stylistic synthesis in the film version of La fiaca (Fernando Ayala, 1969)
Un teatro y un cine para el gran público. Accesibilidad y síntesis estilística en la versión fílmica de La fiaca (Fernando Ayala, 1969)
| 2017 | |
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Argentinean cinema adaptation economic factors accessibility sixties cine argentino transposición factores económicos accesibilidad años sesenta |
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| Español | |
| Universidad Católica del Uruguay | |
| LIBERI | |
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https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1324
https://hdl.handle.net/10895/3476 |
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| Acceso abierto |
| Sumario: | The article aims to analyze the film directed by Fernando Ayala based on the play La fiaca by Ricardo Talesnik. It seeks to build a double bind: Firs, studying the coincidences between the creative projects of the director and the playwright and the importance of the economic factors that influenced some of the aesthetic choices. Second, based on a methodology of comparative analysis on staging strategies, both theatrical and cinematographic, the work goals to trace the unique features that this film establishes in relation to the play and other productions of the sixties. As an articulating axis between both aspects, an inquiry is made around the role fulfilled by the notion of accessibility as a fundamental mechanism that made possible an amplification of the massive repercussion of the proposal, based fundamentally on the recovery of the protagonist Norman Briski |
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