El camino de Sísifo y la nostalgia reflexiva en el cine de Juan José Campanella
| 2019 | |
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eternal return community spatial form urban topography reflective nostalgia eterno retorno comunidad forma espacial topografía urbana nostalgia reflexiva |
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| Español | |
| Universidad Católica del Uruguay | |
| LIBERI | |
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https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1820
https://hdl.handle.net/10895/3527 |
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| Acceso abierto |
| Sumario: | With an approach to critical geography, cultural studies, politics and urbanism, this article proposes to explore the question of urban spaces represented in two films directed by Juan José Campanella: Luna de Avellaneda [Moon of Avellaneda] (2004) and Metegol [Underdogs] (2013). Consideration is paid to the films’ production context and their consumption, the recurrence of certain “guiding fictions” (Shumway, 1993), the construction of their imaginary limits, and the relationships that the characters have with them. It concludes that both films project long-standing symbolic reconstructions of their society, while exhibiting its unresolved struggles and debating a sense of community belonging. |
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