Depiction of violence in three films by Adrián Caetano
La representación de la violencia en tres películas de Adrián Caetano
| 2014 | |
|
audiovisual narrative contemporary Latin American cinema New Argentine Cinema crisis violence narrativa audiovisual cine latinoamericano contemporáneo Nuevo Cine Argentino crisis violencia |
|
| Español | |
| Universidad Católica del Uruguay | |
| LIBERI | |
|
https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/398
https://hdl.handle.net/10895/3435 |
|
| Acceso abierto |
| _version_ | 1815178699085971456 |
|---|---|
| author | Dillon, Alfredo |
| author_facet | Dillon, Alfredo |
| author_role | author |
| collection | LIBERI |
| dc.creator.none.fl_str_mv | Dillon, Alfredo |
| dc.date.accessioned.none.fl_str_mv | 2023-09-12T19:14:10Z |
| dc.date.available.none.fl_str_mv | 2023-09-12T19:14:10Z |
| dc.date.none.fl_str_mv | 2014-09-30 |
| dc.description.en-US.fl_txt_mv | The aim of this work is to analyze the ways in which violence is represented in Adrián Caetano's cinema. Born in Uruguay, Caetano is one of the most iconic directors of the New Argentine Cinema. This article focuses on three of his most important films: Bolivia (2001), Un oso rojo (A Red Bear, 2002) and Crónica de una fuga (Chronicle of an Escape, 2006). In all of these movies, violence is central to the plot and shapes the narrative forms in different ways. In Caetano's cinema, community is always threatened by the menace of dissolution. Violence flourishes as a consequence of this permanent threat, and it functions as a force that restores the social barriers weakened by the collective crisis. |
| dc.description.es-ES.fl_txt_mv | El objetivo de este trabajo es dar cuenta de los modos de representación de la violencia en el cine de Adrián Caetano, director nacido en Uruguay y uno de los representantes más emblemáticos del denominado Nuevo Cine Argentino. Para eso, nos proponemos trazar una lectura crítica de tres de sus películas más importantes: Bolivia (2001), Un oso rojo (2002) y Crónica de una fuga (2006). En dichas obras, el fenómeno de la violencia constituye el núcleo de la trama y permea las formas narrativas, aunque de maneras diferentes en cada largometraje. En el cine de Caetano la comunidad siempre está amenazada por el fantasma de la disolución; en medio de ese peligro prolifera la violencia, entendida como una fuerza capaz de restituir las fronteras sociales que la crisis ha vuelto endebles. |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/398 10.22235/d.v0i21.398 |
| dc.identifier.uri.none.fl_str_mv | https://hdl.handle.net/10895/3435 |
| dc.language.iso.none.fl_str_mv | spa |
| dc.publisher.es-ES.fl_str_mv | Universidad Católica del Uruguay |
| dc.relation.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/398/371 |
| dc.rights.es-ES.fl_str_mv | Derechos de autor 2014 Dixit https://creativecommons.org/licenses/by-nc/4.0/deed.es |
| dc.rights.none.fl_str_mv | info:eu-repo/semantics/openAccess |
| dc.source.en-US.fl_str_mv | Dixit; No. 21 (2014): Dixit; 20-35 |
| dc.source.es-ES.fl_str_mv | Dixit; Núm. 21 (2014): Dixit; 20-35 |
| dc.source.none.fl_str_mv | 0797-3691 1688-3497 10.22235/d.v0i21 reponame:LIBERI instname:Universidad Católica del Uruguay instacron:Universidad Católica del Uruguay |
| dc.source.pt-PT.fl_str_mv | Dixit; N.º 21 (2014): Dixit; 20-35 |
| dc.subject.en-US.fl_str_mv | audiovisual narrative contemporary Latin American cinema New Argentine Cinema crisis violence |
| dc.subject.es-ES.fl_str_mv | narrativa audiovisual cine latinoamericano contemporáneo Nuevo Cine Argentino crisis violencia |
| dc.title.none.fl_str_mv | Depiction of violence in three films by Adrián Caetano La representación de la violencia en tres películas de Adrián Caetano |
| dc.type.none.fl_str_mv | info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| dc.type.version.none.fl_str_mv | info:eu-repo/semantics/publishedVersion |
| description | The aim of this work is to analyze the ways in which violence is represented in Adrián Caetano's cinema. Born in Uruguay, Caetano is one of the most iconic directors of the New Argentine Cinema. This article focuses on three of his most important films: Bolivia (2001), Un oso rojo (A Red Bear, 2002) and Crónica de una fuga (Chronicle of an Escape, 2006). In all of these movies, violence is central to the plot and shapes the narrative forms in different ways. In Caetano's cinema, community is always threatened by the menace of dissolution. Violence flourishes as a consequence of this permanent threat, and it functions as a force that restores the social barriers weakened by the collective crisis. |
| eu_rights_str_mv | openAccess |
| format | article |
| id | LIBERI_cc155b3f33578c5a03caac296c7ecb81 |
| identifier_str_mv | 10.22235/d.v0i21.398 |
| instacron_str | Universidad Católica del Uruguay |
| institution | Universidad Católica del Uruguay |
| instname_str | Universidad Católica del Uruguay |
| language | spa |
| network_acronym_str | LIBERI |
| network_name_str | LIBERI |
| oai_identifier_str | oai:liberi.ucu.edu.uy:10895/3435 |
| publishDate | 2014 |
| reponame_str | LIBERI |
| repository.mail.fl_str_mv | franco.pertusso@ucu.edu.uy |
| repository.name.fl_str_mv | LIBERI - Universidad Católica del Uruguay |
| repository_id_str | 10342 |
| rights_invalid_str_mv | Derechos de autor 2014 Dixit https://creativecommons.org/licenses/by-nc/4.0/deed.es |
| spelling | Dillon, Alfredo2014-09-302023-09-12T19:14:10Z2023-09-12T19:14:10Zhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/39810.22235/d.v0i21.398https://hdl.handle.net/10895/3435The aim of this work is to analyze the ways in which violence is represented in Adrián Caetano's cinema. Born in Uruguay, Caetano is one of the most iconic directors of the New Argentine Cinema. This article focuses on three of his most important films: Bolivia (2001), Un oso rojo (A Red Bear, 2002) and Crónica de una fuga (Chronicle of an Escape, 2006). In all of these movies, violence is central to the plot and shapes the narrative forms in different ways. In Caetano's cinema, community is always threatened by the menace of dissolution. Violence flourishes as a consequence of this permanent threat, and it functions as a force that restores the social barriers weakened by the collective crisis.El objetivo de este trabajo es dar cuenta de los modos de representación de la violencia en el cine de Adrián Caetano, director nacido en Uruguay y uno de los representantes más emblemáticos del denominado Nuevo Cine Argentino. Para eso, nos proponemos trazar una lectura crítica de tres de sus películas más importantes: Bolivia (2001), Un oso rojo (2002) y Crónica de una fuga (2006). En dichas obras, el fenómeno de la violencia constituye el núcleo de la trama y permea las formas narrativas, aunque de maneras diferentes en cada largometraje. En el cine de Caetano la comunidad siempre está amenazada por el fantasma de la disolución; en medio de ese peligro prolifera la violencia, entendida como una fuerza capaz de restituir las fronteras sociales que la crisis ha vuelto endebles. application/pdfspaUniversidad Católica del Uruguayhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/398/371Derechos de autor 2014 Dixithttps://creativecommons.org/licenses/by-nc/4.0/deed.esinfo:eu-repo/semantics/openAccessDixit; No. 21 (2014): Dixit; 20-35Dixit; Núm. 21 (2014): Dixit; 20-35Dixit; N.º 21 (2014): Dixit; 20-350797-36911688-349710.22235/d.v0i21reponame:LIBERIinstname:Universidad Católica del Uruguayinstacron:Universidad Católica del Uruguayaudiovisual narrativecontemporary Latin American cinemaNew Argentine Cinemacrisisviolencenarrativa audiovisualcine latinoamericano contemporáneoNuevo Cine ArgentinocrisisviolenciaDepiction of violence in three films by Adrián CaetanoLa representación de la violencia en tres películas de Adrián Caetanoinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/publishedVersion10895/34352023-09-12 16:14:10.38oai:liberi.ucu.edu.uy:10895/3435Universidadhttps://www.ucu.edu.uy/https://liberi.ucu.edu.uy/oai/requestfranco.pertusso@ucu.edu.uyUruguayopendoar:103422023-09-12T19:14:10LIBERI - Universidad Católica del Uruguayfalse |
| spellingShingle | Depiction of violence in three films by Adrián Caetano Dillon, Alfredo audiovisual narrative contemporary Latin American cinema New Argentine Cinema crisis violence narrativa audiovisual cine latinoamericano contemporáneo Nuevo Cine Argentino crisis violencia |
| status_str | publishedVersion |
| title | Depiction of violence in three films by Adrián Caetano |
| title_full | Depiction of violence in three films by Adrián Caetano |
| title_fullStr | Depiction of violence in three films by Adrián Caetano |
| title_full_unstemmed | Depiction of violence in three films by Adrián Caetano |
| title_short | Depiction of violence in three films by Adrián Caetano |
| title_sort | Depiction of violence in three films by Adrián Caetano |
| topic | audiovisual narrative contemporary Latin American cinema New Argentine Cinema crisis violence narrativa audiovisual cine latinoamericano contemporáneo Nuevo Cine Argentino crisis violencia |
| url | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/398 https://hdl.handle.net/10895/3435 |
