The activities of the Department of Cine Arte / SODRE (1944-1962)
Las actividades del Departamento de Cine Arte del SODRE (1944-1962)
| 2021 | |
|
film society cinephilia film archives public services Uruguay cine club cinefilia archivos fílmicos servicios públicos Uruguay |
|
| Español | |
| Universidad Católica del Uruguay | |
| LIBERI | |
| https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2276 | |
| Acceso abierto |
| _version_ | 1815178699406835712 |
|---|---|
| author | Amieva, Mariana |
| author_facet | Amieva, Mariana |
| author_role | author |
| collection | LIBERI |
| dc.creator.none.fl_str_mv | Amieva, Mariana |
| dc.date.none.fl_str_mv | 2021-06-23 |
| dc.description.en-US.fl_txt_mv | The article extensively describes the activities of the SODRE Art Film Department under the direction of its first director, Danilo Trelles, between 1944 and 1962. In this line, the institutional outlook set forth from the management stands out, the set of activities that are deployed during the period, the characteristics of the programs presented and the cinephile profile perceived from this cut, and lastly, the formation of a film archive. This research is part of a larger investigation and is dedicated to thinking about this object of study as part of the audiovisual field of the period and in dialogue with other local and international entities. Starting from the analysis of primary sources, the aim is to address a poorly studied object that was central to the conformation of film culture and whose particularities help to think about the models with which we study these objects. |
| dc.description.es-ES.fl_txt_mv | El artículo describe de forma extensa las actividades del Departamento de Cine Arte del SODRE bajo la dirección de su primer director, Danilo Trelles, entre 1944 a 1962. En ese recorrido se destaca la mirada institucional enunciada desde la dirección, el conjunto de actividades que se despliegan durante el período, las características de las programaciones presentadas, el perfil cinéfilo que se percibe de ese recorte y, por último, la conformación de un archivo fílmico. Esta investigación es parte de un proyecto de investigación mayor y se dedica a pensar este objeto de estudio formando parte del campo audiovisual del período y en diálogo con otras entidades locales e internacionales. A partir del análisis de fuentes primarias se busca abordar un objeto escasamente estudiado que fue central para la conformación de la cultura cinematográfica y cuyas particularidades ayudan a problematizar los modelos con los que estudiamos estos objetos. |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2276 10.22235/d34.2276 |
| dc.language.iso.none.fl_str_mv | spa |
| dc.publisher.es-ES.fl_str_mv | Universidad Católica del Uruguay |
| dc.relation.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2276/2343 |
| dc.rights.es-ES.fl_str_mv | Derechos de autor 2021 Dixit https://creativecommons.org/licenses/by/4.0 |
| dc.rights.none.fl_str_mv | info:eu-repo/semantics/openAccess |
| dc.source.en-US.fl_str_mv | Dixit; No. 34 (2021): Dixit; 63-77 |
| dc.source.es-ES.fl_str_mv | Dixit; Núm. 34 (2021): Dixit; 63-77 |
| dc.source.none.fl_str_mv | 0797-3691 1688-3497 10.22235/d34 reponame:LIBERI instname:Universidad Católica del Uruguay instacron:Universidad Católica del Uruguay |
| dc.source.pt-PT.fl_str_mv | Dixit; N.º 34 (2021): Dixit; 63-77 |
| dc.subject.en-US.fl_str_mv | film society cinephilia film archives public services Uruguay |
| dc.subject.es-ES.fl_str_mv | cine club cinefilia archivos fílmicos servicios públicos Uruguay |
| dc.title.none.fl_str_mv | The activities of the Department of Cine Arte / SODRE (1944-1962) Las actividades del Departamento de Cine Arte del SODRE (1944-1962) |
| dc.type.es-ES.fl_str_mv | Artículos |
| dc.type.none.fl_str_mv | info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| dc.type.version.none.fl_str_mv | info:eu-repo/semantics/publishedVersion |
| description | The article extensively describes the activities of the SODRE Art Film Department under the direction of its first director, Danilo Trelles, between 1944 and 1962. In this line, the institutional outlook set forth from the management stands out, the set of activities that are deployed during the period, the characteristics of the programs presented and the cinephile profile perceived from this cut, and lastly, the formation of a film archive. This research is part of a larger investigation and is dedicated to thinking about this object of study as part of the audiovisual field of the period and in dialogue with other local and international entities. Starting from the analysis of primary sources, the aim is to address a poorly studied object that was central to the conformation of film culture and whose particularities help to think about the models with which we study these objects. |
| eu_rights_str_mv | openAccess |
| format | article |
| id | LIBERI_c191b9fc1b8b75d56db7ecfb8c632793 |
| identifier_str_mv | 10.22235/d34.2276 |
| instacron_str | Universidad Católica del Uruguay |
| institution | Universidad Católica del Uruguay |
| instname_str | Universidad Católica del Uruguay |
| language | spa |
| network_acronym_str | LIBERI |
| network_name_str | LIBERI |
| oai_identifier_str | oai:liberi.ucu.edu.uy:10895/3553 |
| publishDate | 2021 |
| reponame_str | LIBERI |
| repository.mail.fl_str_mv | franco.pertusso@ucu.edu.uy |
| repository.name.fl_str_mv | LIBERI - Universidad Católica del Uruguay |
| repository_id_str | 10342 |
| rights_invalid_str_mv | Derechos de autor 2021 Dixit https://creativecommons.org/licenses/by/4.0 |
| spelling | Amieva, Mariana2021-06-23https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/227610.22235/d34.2276The article extensively describes the activities of the SODRE Art Film Department under the direction of its first director, Danilo Trelles, between 1944 and 1962. In this line, the institutional outlook set forth from the management stands out, the set of activities that are deployed during the period, the characteristics of the programs presented and the cinephile profile perceived from this cut, and lastly, the formation of a film archive. This research is part of a larger investigation and is dedicated to thinking about this object of study as part of the audiovisual field of the period and in dialogue with other local and international entities. Starting from the analysis of primary sources, the aim is to address a poorly studied object that was central to the conformation of film culture and whose particularities help to think about the models with which we study these objects.El artículo describe de forma extensa las actividades del Departamento de Cine Arte del SODRE bajo la dirección de su primer director, Danilo Trelles, entre 1944 a 1962. En ese recorrido se destaca la mirada institucional enunciada desde la dirección, el conjunto de actividades que se despliegan durante el período, las características de las programaciones presentadas, el perfil cinéfilo que se percibe de ese recorte y, por último, la conformación de un archivo fílmico. Esta investigación es parte de un proyecto de investigación mayor y se dedica a pensar este objeto de estudio formando parte del campo audiovisual del período y en diálogo con otras entidades locales e internacionales. A partir del análisis de fuentes primarias se busca abordar un objeto escasamente estudiado que fue central para la conformación de la cultura cinematográfica y cuyas particularidades ayudan a problematizar los modelos con los que estudiamos estos objetos.application/pdfspaUniversidad Católica del Uruguayhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2276/2343Derechos de autor 2021 Dixithttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessDixit; No. 34 (2021): Dixit; 63-77Dixit; Núm. 34 (2021): Dixit; 63-77Dixit; N.º 34 (2021): Dixit; 63-770797-36911688-349710.22235/d34reponame:LIBERIinstname:Universidad Católica del Uruguayinstacron:Universidad Católica del Uruguayfilm societycinephiliafilm archivespublic servicesUruguaycine clubcinefiliaarchivos fílmicosservicios públicosUruguayThe activities of the Department of Cine Arte / SODRE (1944-1962)Las actividades del Departamento de Cine Arte del SODRE (1944-1962)info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículosinfo:eu-repo/semantics/publishedVersion10895/35532024-08-25 20:11:26.102oai:liberi.ucu.edu.uy:10895/3553Universidadhttps://www.ucu.edu.uy/https://liberi.ucu.edu.uy/oai/requestfranco.pertusso@ucu.edu.uyUruguayopendoar:103422024-08-25T23:11:26LIBERI - Universidad Católica del Uruguayfalse |
| spellingShingle | The activities of the Department of Cine Arte / SODRE (1944-1962) Amieva, Mariana film society cinephilia film archives public services Uruguay cine club cinefilia archivos fílmicos servicios públicos Uruguay |
| status_str | publishedVersion |
| title | The activities of the Department of Cine Arte / SODRE (1944-1962) |
| title_full | The activities of the Department of Cine Arte / SODRE (1944-1962) |
| title_fullStr | The activities of the Department of Cine Arte / SODRE (1944-1962) |
| title_full_unstemmed | The activities of the Department of Cine Arte / SODRE (1944-1962) |
| title_short | The activities of the Department of Cine Arte / SODRE (1944-1962) |
| title_sort | The activities of the Department of Cine Arte / SODRE (1944-1962) |
| topic | film society cinephilia film archives public services Uruguay cine club cinefilia archivos fílmicos servicios públicos Uruguay |
| url | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2276 |
