Amateur Cinema as Documentary Source: Juan Pérez Clavero in 1960’s Chile
El cine aficionado como fuente documental: Juan Pérez Clavero en el Chile de los años sesenta
2021 | |
chilean cinema documentary cinema amateur cinema microhistory new Latin American cinema cine chileno cine documental cine amateur microhistoria nuevo cine latinoamericano |
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Español | |
Universidad Católica del Uruguay | |
LIBERI | |
https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2272 | |
Acceso abierto |
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author | Horta Canales, Luis |
author_facet | Horta Canales, Luis |
author_role | author |
collection | LIBERI |
dc.creator.none.fl_str_mv | Horta Canales, Luis |
dc.date.none.fl_str_mv | 2021-11-17 |
dc.description.en-US.fl_txt_mv | Juan Pérez Clavero (1924-2004), an amateur filmmaker from the peasant town of Peñaflor (Chile), made numerous amateur documentaries in the 1960s, coinciding with the flourishing of the renewal trends of national and Latin American cinema. His unknown work has the particularity of being built from within rural communities, moving away from formalities and sharing the intention to address the current problems of the period, such as the representation of the popular world. The present work proposes that Pérez Clavero's work, when filming in non-professional codes and outside the margins of commercial or professional cinema, becomes an important historical documentary source that travels along two lines. The first, by allowing possible readings of a visual culture not subject to the intellectualized interests of the period. The second, how amateur cinema and particularly the work of Juan Pérez Clavero give a new perspective to approach the cinema of the sixties. |
dc.description.es-ES.fl_txt_mv | Juan Pérez Clavero (1924-2004), cineasta aficionado de la localidad campesina de Peñaflor (Chile), realiza numerosos documentales amateur en la década del sesenta, coincidiendo con el florecimiento de las corrientes renovadoras del cine nacional y latinoamericano. Su desconocida obra tiene la particularidad de estar construida desde el interior de las comunidades rurales, alejándose de formalismos y compartiendo la intención por abordar los problemas en boga del periodo, tales como la representación del mundo popular. El presente trabajo propone que la obra de Pérez Clavero, al filmar en los códigos no profesionales y fuera de los márgenes del cine comercial o profesional, se convierte en una importante fuente documental histórica que transita en dos líneas. La primera, al permitir abordar las lecturas posibles de una cultura visual no supeditada a los intereses intelectualizados del periodo. La segunda, cómo el cine amateur y en particular la obra de Juan Pérez Clavero otorgan una nueva perspectiva para abordar el cine de los años sesenta. |
dc.format.none.fl_str_mv | application/pdf |
dc.identifier.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2272 10.22235/d35.2272 |
dc.language.iso.none.fl_str_mv | spa |
dc.publisher.es-ES.fl_str_mv | Universidad Católica del Uruguay |
dc.relation.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2272/2384 |
dc.rights.es-ES.fl_str_mv | Derechos de autor 2021 Dixit https://creativecommons.org/licenses/by/4.0 |
dc.rights.none.fl_str_mv | info:eu-repo/semantics/openAccess |
dc.source.en-US.fl_str_mv | Dixit; No. 35 (2021): Dixit; 96-109 |
dc.source.es-ES.fl_str_mv | Dixit; Núm. 35 (2021): Dixit; 96-109 |
dc.source.none.fl_str_mv | 0797-3691 1688-3497 10.22235/d35 reponame:LIBERI instname:Universidad Católica del Uruguay instacron:Universidad Católica del Uruguay |
dc.source.pt-PT.fl_str_mv | Dixit; N.º 35 (2021): Dixit; 96-109 |
dc.subject.en-US.fl_str_mv | chilean cinema documentary cinema amateur cinema microhistory new Latin American cinema |
dc.subject.es-ES.fl_str_mv | cine chileno cine documental cine amateur microhistoria nuevo cine latinoamericano |
dc.title.none.fl_str_mv | Amateur Cinema as Documentary Source: Juan Pérez Clavero in 1960’s Chile El cine aficionado como fuente documental: Juan Pérez Clavero en el Chile de los años sesenta |
dc.type.es-ES.fl_str_mv | Artículos |
dc.type.none.fl_str_mv | info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
dc.type.version.none.fl_str_mv | info:eu-repo/semantics/publishedVersion |
description | Juan Pérez Clavero (1924-2004), an amateur filmmaker from the peasant town of Peñaflor (Chile), made numerous amateur documentaries in the 1960s, coinciding with the flourishing of the renewal trends of national and Latin American cinema. His unknown work has the particularity of being built from within rural communities, moving away from formalities and sharing the intention to address the current problems of the period, such as the representation of the popular world. The present work proposes that Pérez Clavero's work, when filming in non-professional codes and outside the margins of commercial or professional cinema, becomes an important historical documentary source that travels along two lines. The first, by allowing possible readings of a visual culture not subject to the intellectualized interests of the period. The second, how amateur cinema and particularly the work of Juan Pérez Clavero give a new perspective to approach the cinema of the sixties. |
eu_rights_str_mv | openAccess |
format | article |
id | LIBERI_bbd9372de2b94bebc2bf4eed58fa3b60 |
identifier_str_mv | 10.22235/d35.2272 |
instacron_str | Universidad Católica del Uruguay |
institution | Universidad Católica del Uruguay |
instname_str | Universidad Católica del Uruguay |
language | spa |
network_acronym_str | LIBERI |
network_name_str | LIBERI |
oai_identifier_str | oai:liberi.ucu.edu.uy:10895/3551 |
publishDate | 2021 |
reponame_str | LIBERI |
repository.mail.fl_str_mv | franco.pertusso@ucu.edu.uy |
repository.name.fl_str_mv | LIBERI - Universidad Católica del Uruguay |
repository_id_str | 10342 |
rights_invalid_str_mv | Derechos de autor 2021 Dixit https://creativecommons.org/licenses/by/4.0 |
spelling | Horta Canales, Luis2021-11-17https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/227210.22235/d35.2272Juan Pérez Clavero (1924-2004), an amateur filmmaker from the peasant town of Peñaflor (Chile), made numerous amateur documentaries in the 1960s, coinciding with the flourishing of the renewal trends of national and Latin American cinema. His unknown work has the particularity of being built from within rural communities, moving away from formalities and sharing the intention to address the current problems of the period, such as the representation of the popular world. The present work proposes that Pérez Clavero's work, when filming in non-professional codes and outside the margins of commercial or professional cinema, becomes an important historical documentary source that travels along two lines. The first, by allowing possible readings of a visual culture not subject to the intellectualized interests of the period. The second, how amateur cinema and particularly the work of Juan Pérez Clavero give a new perspective to approach the cinema of the sixties.Juan Pérez Clavero (1924-2004), cineasta aficionado de la localidad campesina de Peñaflor (Chile), realiza numerosos documentales amateur en la década del sesenta, coincidiendo con el florecimiento de las corrientes renovadoras del cine nacional y latinoamericano. Su desconocida obra tiene la particularidad de estar construida desde el interior de las comunidades rurales, alejándose de formalismos y compartiendo la intención por abordar los problemas en boga del periodo, tales como la representación del mundo popular. El presente trabajo propone que la obra de Pérez Clavero, al filmar en los códigos no profesionales y fuera de los márgenes del cine comercial o profesional, se convierte en una importante fuente documental histórica que transita en dos líneas. La primera, al permitir abordar las lecturas posibles de una cultura visual no supeditada a los intereses intelectualizados del periodo. La segunda, cómo el cine amateur y en particular la obra de Juan Pérez Clavero otorgan una nueva perspectiva para abordar el cine de los años sesenta.application/pdfspaUniversidad Católica del Uruguayhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2272/2384Derechos de autor 2021 Dixithttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessDixit; No. 35 (2021): Dixit; 96-109Dixit; Núm. 35 (2021): Dixit; 96-109Dixit; N.º 35 (2021): Dixit; 96-1090797-36911688-349710.22235/d35reponame:LIBERIinstname:Universidad Católica del Uruguayinstacron:Universidad Católica del Uruguaychilean cinemadocumentary cinemaamateur cinemamicrohistorynew Latin American cinemacine chilenocine documentalcine amateurmicrohistorianuevo cine latinoamericanoAmateur Cinema as Documentary Source: Juan Pérez Clavero in 1960’s ChileEl cine aficionado como fuente documental: Juan Pérez Clavero en el Chile de los años sesentainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículosinfo:eu-repo/semantics/publishedVersion10895/35512024-08-25 20:11:23.493oai:liberi.ucu.edu.uy:10895/3551Universidadhttps://www.ucu.edu.uy/https://liberi.ucu.edu.uy/oai/requestfranco.pertusso@ucu.edu.uyUruguayopendoar:103422024-08-25T23:11:23LIBERI - Universidad Católica del Uruguayfalse |
spellingShingle | Amateur Cinema as Documentary Source: Juan Pérez Clavero in 1960’s Chile Horta Canales, Luis chilean cinema documentary cinema amateur cinema microhistory new Latin American cinema cine chileno cine documental cine amateur microhistoria nuevo cine latinoamericano |
status_str | publishedVersion |
title | Amateur Cinema as Documentary Source: Juan Pérez Clavero in 1960’s Chile |
title_full | Amateur Cinema as Documentary Source: Juan Pérez Clavero in 1960’s Chile |
title_fullStr | Amateur Cinema as Documentary Source: Juan Pérez Clavero in 1960’s Chile |
title_full_unstemmed | Amateur Cinema as Documentary Source: Juan Pérez Clavero in 1960’s Chile |
title_short | Amateur Cinema as Documentary Source: Juan Pérez Clavero in 1960’s Chile |
title_sort | Amateur Cinema as Documentary Source: Juan Pérez Clavero in 1960’s Chile |
topic | chilean cinema documentary cinema amateur cinema microhistory new Latin American cinema cine chileno cine documental cine amateur microhistoria nuevo cine latinoamericano |
url | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2272 |