The changes and updates of the trailer's aesthetic autonomy
Los devenires y las actualizaciones de la autonomía estética del tráiler
2013 | |
trailer virtual actual becoming aesthetic tráiler virtual actual devenir estética |
|
Español | |
Universidad Católica del Uruguay | |
LIBERI | |
https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/361
https://hdl.handle.net/10895/3400 |
|
Acceso abierto |
_version_ | 1815178703047491584 |
---|---|
author | de Oliveira Iuva, Patricia |
author_facet | de Oliveira Iuva, Patricia |
author_role | author |
collection | LIBERI |
dc.creator.none.fl_str_mv | de Oliveira Iuva, Patricia |
dc.date.accessioned.none.fl_str_mv | 2023-09-12T19:13:43Z |
dc.date.available.none.fl_str_mv | 2023-09-12T19:13:43Z |
dc.date.none.fl_str_mv | 2013-09-20 |
dc.description.en-US.fl_txt_mv | The most evident aspects of trailer constitute discussions between the cinematographic and advertisement shows. Approaching to Deleuze theoretical questions, this article seeks to enquire about the notion of virtual-actual regarding the object of trailer. Therefore, we shall discuss the becoming within the trailer itself, once that trailer as a virtuality contains forms already actual, such as advertisement, as well as those that are about to become. Such theoretical approach deconstructs the hegemonic logic about trailer as advertisement, and the methodological path unfolds analytical issues in a way to make explicit aesthetic and productive autonomy movements, throughout different actual forms of trailer in cinema, television, DVD and internet. |
dc.description.es-ES.fl_txt_mv | Las marcas más evidentes del tráiler constituyen, en parte, las discusiones acerca de su lugar entre lo cinematográfico y lo publicitario. En concordancia con el pensamiento de Deleuze, las cuestiones de este trabajo parten de problematizar las virtualidades del tráiler. Se discuten los devenires contenidos en el interior del propio tráiler, pues él mismo, en cuanto virtualidad, abriga las formas ya actualizadas tanto la publicidad como las que están por venir. Tal abordaje deconstruye la lógica hegemónica publicitaria del tráiler, y el camino metodológico seguido despliega imbricaciones analíticas con el fin de explicitar los movimientos de la autonomía estética y productiva, incluso desde diferentes actualizaciones del tráiler en el cine, en la televisión, en DVD y en internet. |
dc.format.none.fl_str_mv | application/pdf |
dc.identifier.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/361 10.22235/d.v0i18.361 |
dc.identifier.uri.none.fl_str_mv | https://hdl.handle.net/10895/3400 |
dc.language.iso.none.fl_str_mv | spa |
dc.publisher.es-ES.fl_str_mv | Universidad Católica del Uruguay |
dc.relation.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/361/336 |
dc.rights.es-ES.fl_str_mv | Derechos de autor 2013 Dixit https://creativecommons.org/licenses/by-nc/4.0/deed.es |
dc.rights.none.fl_str_mv | info:eu-repo/semantics/openAccess |
dc.source.en-US.fl_str_mv | Dixit; No. 18 (2013): Dixit; 20-33 |
dc.source.es-ES.fl_str_mv | Dixit; Núm. 18 (2013): Dixit; 20-33 |
dc.source.none.fl_str_mv | 0797-3691 1688-3497 10.22235/d.v0i18 reponame:LIBERI instname:Universidad Católica del Uruguay instacron:Universidad Católica del Uruguay |
dc.source.pt-PT.fl_str_mv | Dixit; N.º 18 (2013): Dixit; 20-33 |
dc.subject.en-US.fl_str_mv | trailer virtual actual becoming aesthetic |
dc.subject.es-ES.fl_str_mv | tráiler virtual actual devenir estética |
dc.title.none.fl_str_mv | The changes and updates of the trailer's aesthetic autonomy Los devenires y las actualizaciones de la autonomía estética del tráiler |
dc.type.none.fl_str_mv | info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
dc.type.version.none.fl_str_mv | info:eu-repo/semantics/publishedVersion |
description | The most evident aspects of trailer constitute discussions between the cinematographic and advertisement shows. Approaching to Deleuze theoretical questions, this article seeks to enquire about the notion of virtual-actual regarding the object of trailer. Therefore, we shall discuss the becoming within the trailer itself, once that trailer as a virtuality contains forms already actual, such as advertisement, as well as those that are about to become. Such theoretical approach deconstructs the hegemonic logic about trailer as advertisement, and the methodological path unfolds analytical issues in a way to make explicit aesthetic and productive autonomy movements, throughout different actual forms of trailer in cinema, television, DVD and internet. |
eu_rights_str_mv | openAccess |
format | article |
id | LIBERI_b344154b76380add9988c95a095e9d71 |
identifier_str_mv | 10.22235/d.v0i18.361 |
instacron_str | Universidad Católica del Uruguay |
institution | Universidad Católica del Uruguay |
instname_str | Universidad Católica del Uruguay |
language | spa |
network_acronym_str | LIBERI |
network_name_str | LIBERI |
oai_identifier_str | oai:liberi.ucu.edu.uy:10895/3400 |
publishDate | 2013 |
reponame_str | LIBERI |
repository.mail.fl_str_mv | franco.pertusso@ucu.edu.uy |
repository.name.fl_str_mv | LIBERI - Universidad Católica del Uruguay |
repository_id_str | 10342 |
rights_invalid_str_mv | Derechos de autor 2013 Dixit https://creativecommons.org/licenses/by-nc/4.0/deed.es |
spelling | de Oliveira Iuva, Patricia2013-09-202023-09-12T19:13:43Z2023-09-12T19:13:43Zhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/36110.22235/d.v0i18.361https://hdl.handle.net/10895/3400The most evident aspects of trailer constitute discussions between the cinematographic and advertisement shows. Approaching to Deleuze theoretical questions, this article seeks to enquire about the notion of virtual-actual regarding the object of trailer. Therefore, we shall discuss the becoming within the trailer itself, once that trailer as a virtuality contains forms already actual, such as advertisement, as well as those that are about to become. Such theoretical approach deconstructs the hegemonic logic about trailer as advertisement, and the methodological path unfolds analytical issues in a way to make explicit aesthetic and productive autonomy movements, throughout different actual forms of trailer in cinema, television, DVD and internet.Las marcas más evidentes del tráiler constituyen, en parte, las discusiones acerca de su lugar entre lo cinematográfico y lo publicitario. En concordancia con el pensamiento de Deleuze, las cuestiones de este trabajo parten de problematizar las virtualidades del tráiler. Se discuten los devenires contenidos en el interior del propio tráiler, pues él mismo, en cuanto virtualidad, abriga las formas ya actualizadas tanto la publicidad como las que están por venir. Tal abordaje deconstruye la lógica hegemónica publicitaria del tráiler, y el camino metodológico seguido despliega imbricaciones analíticas con el fin de explicitar los movimientos de la autonomía estética y productiva, incluso desde diferentes actualizaciones del tráiler en el cine, en la televisión, en DVD y en internet. application/pdfspaUniversidad Católica del Uruguayhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/361/336Derechos de autor 2013 Dixithttps://creativecommons.org/licenses/by-nc/4.0/deed.esinfo:eu-repo/semantics/openAccessDixit; No. 18 (2013): Dixit; 20-33Dixit; Núm. 18 (2013): Dixit; 20-33Dixit; N.º 18 (2013): Dixit; 20-330797-36911688-349710.22235/d.v0i18reponame:LIBERIinstname:Universidad Católica del Uruguayinstacron:Universidad Católica del UruguaytrailervirtualactualbecomingaesthetictráilervirtualactualdevenirestéticaThe changes and updates of the trailer's aesthetic autonomyLos devenires y las actualizaciones de la autonomía estética del tráilerinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/publishedVersion10895/34002023-09-12 16:13:43.822oai:liberi.ucu.edu.uy:10895/3400Universidadhttps://www.ucu.edu.uy/https://liberi.ucu.edu.uy/oai/requestfranco.pertusso@ucu.edu.uyUruguayopendoar:103422023-09-12T19:13:43LIBERI - Universidad Católica del Uruguayfalse |
spellingShingle | The changes and updates of the trailer's aesthetic autonomy de Oliveira Iuva, Patricia trailer virtual actual becoming aesthetic tráiler virtual actual devenir estética |
status_str | publishedVersion |
title | The changes and updates of the trailer's aesthetic autonomy |
title_full | The changes and updates of the trailer's aesthetic autonomy |
title_fullStr | The changes and updates of the trailer's aesthetic autonomy |
title_full_unstemmed | The changes and updates of the trailer's aesthetic autonomy |
title_short | The changes and updates of the trailer's aesthetic autonomy |
title_sort | The changes and updates of the trailer's aesthetic autonomy |
topic | trailer virtual actual becoming aesthetic tráiler virtual actual devenir estética |
url | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/361 https://hdl.handle.net/10895/3400 |