| Sumario: | The current dossier "The city in contemporary Argentinean cinema" aims to think about how the city is conceived and perceived in Argentinean cinema in the last decade. In the so-called "nuevo cine argentino" (NCA), which appeared in the mid-1990s, the urban space was consolidated as a privileged place to think about the social, political and cultural relations of Argentina at that time. In the most recent Argentinean cinema, after some years of intense changes in the cinematographic panorama (with the consolidation of the careers of several directors and producers of the new film and the incessant appearance of new filmmakers, aesthetics and modes of production), would the urban space still be privileged?
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