Aesthetic of closeness, a link between photojournalism and representation of reality
Estética de cercanía, un lazo entre el fotoperiodismo y la representación de la realidad
| 2016 | |
|
fotoperiodismo prensa representación imágenes amateur photojournalism press representation amateur images |
|
| Español | |
| Universidad Católica del Uruguay | |
| LIBERI | |
|
https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1270
https://hdl.handle.net/10895/3464 |
|
| Acceso abierto |
| _version_ | 1815178705136254976 |
|---|---|
| author | Porciúncula, Pablo |
| author2 | Varela, Florencia |
| author2_role | author |
| author_facet | Porciúncula, Pablo Varela, Florencia |
| author_role | author |
| collection | LIBERI |
| dc.creator.none.fl_str_mv | Porciúncula, Pablo Varela, Florencia |
| dc.date.accessioned.none.fl_str_mv | 2023-09-12T19:14:24Z |
| dc.date.available.none.fl_str_mv | 2023-09-12T19:14:24Z |
| dc.date.none.fl_str_mv | 2016-12-01 |
| dc.description.en-US.fl_txt_mv | This article aims to analyze the changes in the photojournalistic practice because of the incorporation of digital media. A first hypothesis is an aesthetic of closeness, a concept that refers to the presentation of photographs or audiovisual products made by professional photographers who introduce an amateur aesthetic or use nonprofessional media. The objective is to explore some of the keys to the advent of this aesthetic of closeness and its main formal strategies, in order to analyze the current status of photography in its relationship with the representation of reality. The analysis is based on data from a limited sample probe taken at some journalistic approaches selected and questionnaires made those responsible for the multimedia content of four uruguayan media. |
| dc.description.es-ES.fl_txt_mv | El objetivo de este artículo es analizar los cambios que ha experimentado la práctica fotoperiodística debido a la incorporación de dispositivos y recursos digitales por parte de los medios de comunicación. La principal hipótesis es que se ha producido una estética de cercanía, concepto con que se denomina a la presentación de productos audiovisuales realizados por fotógrafos profesionales que introducen una estética amateur o utilizan medios no profesionales. Este trabajo da cuenta del advenimiento de esta estética de cercanía y sus principales estrategias formales, con el fin de analizar el estatus actual de la fotografía en su relación con la representación de la realidad. El análisis se sustenta sobre algunos abordajes periodísticos, seleccionados en función de su relevancia, y en cuestionarios realizados a los responsables del contenido multimedia de cuatro medios uruguayos. |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1270 10.22235/d.v0i25.1270 |
| dc.identifier.uri.none.fl_str_mv | https://hdl.handle.net/10895/3464 |
| dc.language.iso.none.fl_str_mv | spa |
| dc.publisher.es-ES.fl_str_mv | Universidad Católica del Uruguay |
| dc.relation.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1270/1513 |
| dc.rights.none.fl_str_mv | info:eu-repo/semantics/openAccess |
| dc.source.en-US.fl_str_mv | Dixit; No. 25 (2016): Dixit; 16-27 |
| dc.source.es-ES.fl_str_mv | Dixit; Núm. 25 (2016): Dixit; 16-27 |
| dc.source.none.fl_str_mv | 0797-3691 1688-3497 10.22235/d.v0i25 reponame:LIBERI instname:Universidad Católica del Uruguay instacron:Universidad Católica del Uruguay |
| dc.source.pt-PT.fl_str_mv | Dixit; N.º 25 (2016): Dixit; 16-27 |
| dc.subject.en-US.fl_str_mv | photojournalism press representation amateur images |
| dc.subject.es-ES.fl_str_mv | fotoperiodismo prensa representación imágenes amateur |
| dc.title.none.fl_str_mv | Aesthetic of closeness, a link between photojournalism and representation of reality Estética de cercanía, un lazo entre el fotoperiodismo y la representación de la realidad |
| dc.type.none.fl_str_mv | info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| dc.type.version.none.fl_str_mv | info:eu-repo/semantics/publishedVersion |
| description | This article aims to analyze the changes in the photojournalistic practice because of the incorporation of digital media. A first hypothesis is an aesthetic of closeness, a concept that refers to the presentation of photographs or audiovisual products made by professional photographers who introduce an amateur aesthetic or use nonprofessional media. The objective is to explore some of the keys to the advent of this aesthetic of closeness and its main formal strategies, in order to analyze the current status of photography in its relationship with the representation of reality. The analysis is based on data from a limited sample probe taken at some journalistic approaches selected and questionnaires made those responsible for the multimedia content of four uruguayan media. |
| eu_rights_str_mv | openAccess |
| format | article |
| id | LIBERI_a5fc8eb99894494a2dc425231c42664e |
| identifier_str_mv | 10.22235/d.v0i25.1270 |
| instacron_str | Universidad Católica del Uruguay |
| institution | Universidad Católica del Uruguay |
| instname_str | Universidad Católica del Uruguay |
| language | spa |
| network_acronym_str | LIBERI |
| network_name_str | LIBERI |
| oai_identifier_str | oai:liberi.ucu.edu.uy:10895/3464 |
| publishDate | 2016 |
| reponame_str | LIBERI |
| repository.mail.fl_str_mv | franco.pertusso@ucu.edu.uy |
| repository.name.fl_str_mv | LIBERI - Universidad Católica del Uruguay |
| repository_id_str | 10342 |
| spelling | Porciúncula, PabloVarela, Florencia2016-12-012023-09-12T19:14:24Z2023-09-12T19:14:24Zhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/127010.22235/d.v0i25.1270https://hdl.handle.net/10895/3464This article aims to analyze the changes in the photojournalistic practice because of the incorporation of digital media. A first hypothesis is an aesthetic of closeness, a concept that refers to the presentation of photographs or audiovisual products made by professional photographers who introduce an amateur aesthetic or use nonprofessional media. The objective is to explore some of the keys to the advent of this aesthetic of closeness and its main formal strategies, in order to analyze the current status of photography in its relationship with the representation of reality. The analysis is based on data from a limited sample probe taken at some journalistic approaches selected and questionnaires made those responsible for the multimedia content of four uruguayan media.El objetivo de este artículo es analizar los cambios que ha experimentado la práctica fotoperiodística debido a la incorporación de dispositivos y recursos digitales por parte de los medios de comunicación. La principal hipótesis es que se ha producido una estética de cercanía, concepto con que se denomina a la presentación de productos audiovisuales realizados por fotógrafos profesionales que introducen una estética amateur o utilizan medios no profesionales. Este trabajo da cuenta del advenimiento de esta estética de cercanía y sus principales estrategias formales, con el fin de analizar el estatus actual de la fotografía en su relación con la representación de la realidad. El análisis se sustenta sobre algunos abordajes periodísticos, seleccionados en función de su relevancia, y en cuestionarios realizados a los responsables del contenido multimedia de cuatro medios uruguayos.application/pdfspaUniversidad Católica del Uruguayhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1270/1513Dixit; No. 25 (2016): Dixit; 16-27Dixit; Núm. 25 (2016): Dixit; 16-27Dixit; N.º 25 (2016): Dixit; 16-270797-36911688-349710.22235/d.v0i25reponame:LIBERIinstname:Universidad Católica del Uruguayinstacron:Universidad Católica del Uruguayfotoperiodismoprensarepresentaciónimágenes amateurphotojournalismpressrepresentationamateur imagesAesthetic of closeness, a link between photojournalism and representation of realityEstética de cercanía, un lazo entre el fotoperiodismo y la representación de la realidadinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/openAccess10895/34642023-09-12 16:14:25.045oai:liberi.ucu.edu.uy:10895/3464Universidadhttps://www.ucu.edu.uy/https://liberi.ucu.edu.uy/oai/requestfranco.pertusso@ucu.edu.uyUruguayopendoar:103422023-09-12T19:14:25LIBERI - Universidad Católica del Uruguayfalse |
| spellingShingle | Aesthetic of closeness, a link between photojournalism and representation of reality Porciúncula, Pablo fotoperiodismo prensa representación imágenes amateur photojournalism press representation amateur images |
| status_str | publishedVersion |
| title | Aesthetic of closeness, a link between photojournalism and representation of reality |
| title_full | Aesthetic of closeness, a link between photojournalism and representation of reality |
| title_fullStr | Aesthetic of closeness, a link between photojournalism and representation of reality |
| title_full_unstemmed | Aesthetic of closeness, a link between photojournalism and representation of reality |
| title_short | Aesthetic of closeness, a link between photojournalism and representation of reality |
| title_sort | Aesthetic of closeness, a link between photojournalism and representation of reality |
| topic | fotoperiodismo prensa representación imágenes amateur photojournalism press representation amateur images |
| url | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1270 https://hdl.handle.net/10895/3464 |
