Uruguayan rock in the eighties: traditions unexpectedly reinvented
Rock uruguayo de los ochenta: la inesperada reinvención de las tradiciones
| 2014 | |
|
rock uruguayo punk-rock cultura juvenil década de los ochenta estudios culturales. Uruguayan rock punk-rock youth culture eighties cultural studies |
|
| Español | |
| Universidad Católica del Uruguay | |
| LIBERI | |
|
https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/396
https://hdl.handle.net/10895/3434 |
|
| Acceso abierto |
| _version_ | 1815178703930392576 |
|---|---|
| author | Delgado, Leandro |
| author_facet | Delgado, Leandro |
| author_role | author |
| collection | LIBERI |
| dc.creator.none.fl_str_mv | Delgado, Leandro |
| dc.date.accessioned.none.fl_str_mv | 2023-09-12T19:14:09Z |
| dc.date.available.none.fl_str_mv | 2023-09-12T19:14:09Z |
| dc.date.none.fl_str_mv | 2014-09-30 |
| dc.description.en-US.fl_txt_mv | Evidences of musicians from the Eighties indicate that they played music in the same stages than musicians of the prior generation. Such a contact – that was conflictive occasionally – allowed the new musicians to build an idiosyncratic generational identity, and challenges the idea that the rock of the Eighties in Uruguay would have been born without artistic parents, as stated in the musical critic reviews of the time. This article examines, first, how critical reviews and chronicles contributed to the building of an eloquent discourse for the new youth subculture. Second, it questions the idea of orphanhood describing how musicians and journalists rejected and resignified certain elements of existing cultural tradition thus making the rock from the Eighties the defining cultural element of the decade. |
| dc.description.es-ES.fl_txt_mv | Varios testimonios de los músicos de los ochenta señalan la existencia de circuitos marginales donde esta generación estableció contacto indudable —aunque conflictivo— con los músicos de la generación anterior. Tal contacto les permitió construir una identidad generacional definida. Esto cuestiona la idea de que el rock de los ochenta habría nacido sin padres artísticos, como se afirma en las críticas musicales de la época. Este artículo analiza, en primer lugar, las críticas y crónicas que contribuyeron a formar esta idea, que fue central en la construcción de un discurso identitario para la nueva subcultura juvenil. En segundo lugar, cuestiona la idea de la orfandad y analiza cómo los músicos y periodistas adoptaron y resignificaron los elementos de la tradición cultural existente para hacer del rock de los ochenta el elemento definitorio de la cultura de la década. |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/396 10.22235/d.v0i21.396 |
| dc.identifier.uri.none.fl_str_mv | https://hdl.handle.net/10895/3434 |
| dc.language.iso.none.fl_str_mv | spa |
| dc.publisher.es-ES.fl_str_mv | Universidad Católica del Uruguay |
| dc.relation.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/396/370 |
| dc.rights.es-ES.fl_str_mv | Derechos de autor 2014 Dixit https://creativecommons.org/licenses/by-nc/4.0/deed.es |
| dc.rights.none.fl_str_mv | info:eu-repo/semantics/openAccess |
| dc.source.en-US.fl_str_mv | Dixit; No. 21 (2014): Dixit; 4-19 |
| dc.source.es-ES.fl_str_mv | Dixit; Núm. 21 (2014): Dixit; 4-19 |
| dc.source.none.fl_str_mv | 0797-3691 1688-3497 10.22235/d.v0i21 reponame:LIBERI instname:Universidad Católica del Uruguay instacron:Universidad Católica del Uruguay |
| dc.source.pt-PT.fl_str_mv | Dixit; N.º 21 (2014): Dixit; 4-19 |
| dc.subject.en-US.fl_str_mv | Uruguayan rock punk-rock youth culture eighties cultural studies |
| dc.subject.es-ES.fl_str_mv | rock uruguayo punk-rock cultura juvenil década de los ochenta estudios culturales. |
| dc.title.none.fl_str_mv | Uruguayan rock in the eighties: traditions unexpectedly reinvented Rock uruguayo de los ochenta: la inesperada reinvención de las tradiciones |
| dc.type.none.fl_str_mv | info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| dc.type.version.none.fl_str_mv | info:eu-repo/semantics/publishedVersion |
| description | Evidences of musicians from the Eighties indicate that they played music in the same stages than musicians of the prior generation. Such a contact – that was conflictive occasionally – allowed the new musicians to build an idiosyncratic generational identity, and challenges the idea that the rock of the Eighties in Uruguay would have been born without artistic parents, as stated in the musical critic reviews of the time. This article examines, first, how critical reviews and chronicles contributed to the building of an eloquent discourse for the new youth subculture. Second, it questions the idea of orphanhood describing how musicians and journalists rejected and resignified certain elements of existing cultural tradition thus making the rock from the Eighties the defining cultural element of the decade. |
| eu_rights_str_mv | openAccess |
| format | article |
| id | LIBERI_9cb375baab06d09d282bec7e3e8b74df |
| identifier_str_mv | 10.22235/d.v0i21.396 |
| instacron_str | Universidad Católica del Uruguay |
| institution | Universidad Católica del Uruguay |
| instname_str | Universidad Católica del Uruguay |
| language | spa |
| network_acronym_str | LIBERI |
| network_name_str | LIBERI |
| oai_identifier_str | oai:liberi.ucu.edu.uy:10895/3434 |
| publishDate | 2014 |
| reponame_str | LIBERI |
| repository.mail.fl_str_mv | franco.pertusso@ucu.edu.uy |
| repository.name.fl_str_mv | LIBERI - Universidad Católica del Uruguay |
| repository_id_str | 10342 |
| rights_invalid_str_mv | Derechos de autor 2014 Dixit https://creativecommons.org/licenses/by-nc/4.0/deed.es |
| spelling | Delgado, Leandro2014-09-302023-09-12T19:14:09Z2023-09-12T19:14:09Zhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/39610.22235/d.v0i21.396https://hdl.handle.net/10895/3434Evidences of musicians from the Eighties indicate that they played music in the same stages than musicians of the prior generation. Such a contact – that was conflictive occasionally – allowed the new musicians to build an idiosyncratic generational identity, and challenges the idea that the rock of the Eighties in Uruguay would have been born without artistic parents, as stated in the musical critic reviews of the time. This article examines, first, how critical reviews and chronicles contributed to the building of an eloquent discourse for the new youth subculture. Second, it questions the idea of orphanhood describing how musicians and journalists rejected and resignified certain elements of existing cultural tradition thus making the rock from the Eighties the defining cultural element of the decade.Varios testimonios de los músicos de los ochenta señalan la existencia de circuitos marginales donde esta generación estableció contacto indudable —aunque conflictivo— con los músicos de la generación anterior. Tal contacto les permitió construir una identidad generacional definida. Esto cuestiona la idea de que el rock de los ochenta habría nacido sin padres artísticos, como se afirma en las críticas musicales de la época. Este artículo analiza, en primer lugar, las críticas y crónicas que contribuyeron a formar esta idea, que fue central en la construcción de un discurso identitario para la nueva subcultura juvenil. En segundo lugar, cuestiona la idea de la orfandad y analiza cómo los músicos y periodistas adoptaron y resignificaron los elementos de la tradición cultural existente para hacer del rock de los ochenta el elemento definitorio de la cultura de la década. application/pdfspaUniversidad Católica del Uruguayhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/396/370Derechos de autor 2014 Dixithttps://creativecommons.org/licenses/by-nc/4.0/deed.esinfo:eu-repo/semantics/openAccessDixit; No. 21 (2014): Dixit; 4-19Dixit; Núm. 21 (2014): Dixit; 4-19Dixit; N.º 21 (2014): Dixit; 4-190797-36911688-349710.22235/d.v0i21reponame:LIBERIinstname:Universidad Católica del Uruguayinstacron:Universidad Católica del Uruguayrock uruguayopunk-rockcultura juvenildécada de los ochentaestudios culturales.Uruguayan rockpunk-rockyouth cultureeightiescultural studiesUruguayan rock in the eighties: traditions unexpectedly reinventedRock uruguayo de los ochenta: la inesperada reinvención de las tradicionesinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/publishedVersion10895/34342023-09-12 16:14:10.064oai:liberi.ucu.edu.uy:10895/3434Universidadhttps://www.ucu.edu.uy/https://liberi.ucu.edu.uy/oai/requestfranco.pertusso@ucu.edu.uyUruguayopendoar:103422023-09-12T19:14:10LIBERI - Universidad Católica del Uruguayfalse |
| spellingShingle | Uruguayan rock in the eighties: traditions unexpectedly reinvented Delgado, Leandro rock uruguayo punk-rock cultura juvenil década de los ochenta estudios culturales. Uruguayan rock punk-rock youth culture eighties cultural studies |
| status_str | publishedVersion |
| title | Uruguayan rock in the eighties: traditions unexpectedly reinvented |
| title_full | Uruguayan rock in the eighties: traditions unexpectedly reinvented |
| title_fullStr | Uruguayan rock in the eighties: traditions unexpectedly reinvented |
| title_full_unstemmed | Uruguayan rock in the eighties: traditions unexpectedly reinvented |
| title_short | Uruguayan rock in the eighties: traditions unexpectedly reinvented |
| title_sort | Uruguayan rock in the eighties: traditions unexpectedly reinvented |
| topic | rock uruguayo punk-rock cultura juvenil década de los ochenta estudios culturales. Uruguayan rock punk-rock youth culture eighties cultural studies |
| url | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/396 https://hdl.handle.net/10895/3434 |
