''There was a need to write for teenagers''. Interview with Cecilia Curbelo
“Había una necesidad de escribir para los adolescentes”. Entrevista a Cecilia Curbelo
| 2013 | |
| Español | |
| Universidad Católica del Uruguay | |
| LIBERI | |
|
https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/364
https://hdl.handle.net/10895/3403 |
|
| Acceso abierto |
| _version_ | 1815178704127524864 |
|---|---|
| author | Tanzi, Silvana |
| author_facet | Tanzi, Silvana |
| author_role | author |
| collection | LIBERI |
| dc.creator.none.fl_str_mv | Tanzi, Silvana |
| dc.date.accessioned.none.fl_str_mv | 2023-09-12T19:13:45Z |
| dc.date.available.none.fl_str_mv | 2023-09-12T19:13:45Z |
| dc.date.none.fl_str_mv | 2013-09-20 |
| dc.description.en-US.fl_txt_mv | Her name is famous among teenagers, who follow her as if she were a rock star or a media personality. However, Cecilia Curbelo is a writer. With her novels, she accomplished something that seems more and more difficult: conquering an audience that usually escapes from books. "La decisión de Camila", on her eighth edition, "Las dos caras de Sofía", also a best seller, and "Este libro es mío",an interactive notebook, have caused a successful editorial phenomenon, which feeds on social networking sites. It is there where her readers comment on the stories, exchange experiences and even consult the author on their problems. But before the success and accolades, among them the 2011 Cervantes award and the 2012 "Bartolomé Hidalgo Revelación", Curbelo had many different jobs and made risky choices in order to dedicate herself to her calling. With the same enthusiastic spirit with which she creates her stories and takes on her projects, the writer talked about the journey that led her to her books, when she was about to publish "La confesión de Micaela", her latest work. |
| dc.description.es-ES.fl_txt_mv | Su nombre es famoso entre las adolescentes, quienes la siguen como si fuera una cantante de rock o una figura mediática. Sin embargo, Cecilia Curbelo es escritora. Con sus novelas logró algo que parece cada vez más difícil: conquistar un público que suele escaparle a los libros. La decisión de Camila, que va por su octava edición, Las dos caras de Sofía, también convertido en best seller yEste libro es mío, un cuaderno interactivo, generaron un fenómeno editorial exitoso que se retroalimenta con las redes sociales. Allí sus lectoras comentan las historias, intercambian experiencias y hasta consultan a la autora sobre sus problemas. Pero antes del éxito y de los reconocimientos, entre ellos el Premio Cervantes 2011 y el Bartolomé Hidalgo Revelación 2012, Curbelo pasó por trabajos muy diversos y tomó decisiones riesgosas para poder dedicarse a su vocación. Con el mismo espíritu entusiasta con el que crea sus historias y encara sus nuevos proyectos, la escritora conversó sobre la travesía que la llevó hasta sus libros, cuando estaba a punto de publicarLa confesión de Micaela, su último título. |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/364 10.22235/d.v0i18.364 |
| dc.identifier.uri.none.fl_str_mv | https://hdl.handle.net/10895/3403 |
| dc.language.iso.none.fl_str_mv | spa |
| dc.publisher.es-ES.fl_str_mv | Universidad Católica del Uruguay |
| dc.relation.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/364/339 |
| dc.rights.es-ES.fl_str_mv | Derechos de autor 2013 Dixit https://creativecommons.org/licenses/by-nc/4.0/deed.es |
| dc.rights.none.fl_str_mv | info:eu-repo/semantics/openAccess |
| dc.source.en-US.fl_str_mv | Dixit; No. 18 (2013): Dixit; 56-60 |
| dc.source.es-ES.fl_str_mv | Dixit; Núm. 18 (2013): Dixit; 56-60 |
| dc.source.none.fl_str_mv | 0797-3691 1688-3497 10.22235/d.v0i18 reponame:LIBERI instname:Universidad Católica del Uruguay instacron:Universidad Católica del Uruguay |
| dc.source.pt-PT.fl_str_mv | Dixit; N.º 18 (2013): Dixit; 56-60 |
| dc.title.none.fl_str_mv | ''There was a need to write for teenagers''. Interview with Cecilia Curbelo “Había una necesidad de escribir para los adolescentes”. Entrevista a Cecilia Curbelo |
| dc.type.none.fl_str_mv | info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| dc.type.version.none.fl_str_mv | info:eu-repo/semantics/publishedVersion |
| description | Her name is famous among teenagers, who follow her as if she were a rock star or a media personality. However, Cecilia Curbelo is a writer. With her novels, she accomplished something that seems more and more difficult: conquering an audience that usually escapes from books. "La decisión de Camila", on her eighth edition, "Las dos caras de Sofía", also a best seller, and "Este libro es mío",an interactive notebook, have caused a successful editorial phenomenon, which feeds on social networking sites. It is there where her readers comment on the stories, exchange experiences and even consult the author on their problems. But before the success and accolades, among them the 2011 Cervantes award and the 2012 "Bartolomé Hidalgo Revelación", Curbelo had many different jobs and made risky choices in order to dedicate herself to her calling. With the same enthusiastic spirit with which she creates her stories and takes on her projects, the writer talked about the journey that led her to her books, when she was about to publish "La confesión de Micaela", her latest work. |
| eu_rights_str_mv | openAccess |
| format | article |
| id | LIBERI_988e7420f5d92b202e0d18039f8dc73c |
| identifier_str_mv | 10.22235/d.v0i18.364 |
| instacron_str | Universidad Católica del Uruguay |
| institution | Universidad Católica del Uruguay |
| instname_str | Universidad Católica del Uruguay |
| language | spa |
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| publishDate | 2013 |
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| repository.mail.fl_str_mv | franco.pertusso@ucu.edu.uy |
| repository.name.fl_str_mv | LIBERI - Universidad Católica del Uruguay |
| repository_id_str | 10342 |
| rights_invalid_str_mv | Derechos de autor 2013 Dixit https://creativecommons.org/licenses/by-nc/4.0/deed.es |
| spelling | Tanzi, Silvana2013-09-202023-09-12T19:13:45Z2023-09-12T19:13:45Zhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/36410.22235/d.v0i18.364https://hdl.handle.net/10895/3403Her name is famous among teenagers, who follow her as if she were a rock star or a media personality. However, Cecilia Curbelo is a writer. With her novels, she accomplished something that seems more and more difficult: conquering an audience that usually escapes from books. "La decisión de Camila", on her eighth edition, "Las dos caras de Sofía", also a best seller, and "Este libro es mío",an interactive notebook, have caused a successful editorial phenomenon, which feeds on social networking sites. It is there where her readers comment on the stories, exchange experiences and even consult the author on their problems. But before the success and accolades, among them the 2011 Cervantes award and the 2012 "Bartolomé Hidalgo Revelación", Curbelo had many different jobs and made risky choices in order to dedicate herself to her calling. With the same enthusiastic spirit with which she creates her stories and takes on her projects, the writer talked about the journey that led her to her books, when she was about to publish "La confesión de Micaela", her latest work.Su nombre es famoso entre las adolescentes, quienes la siguen como si fuera una cantante de rock o una figura mediática. Sin embargo, Cecilia Curbelo es escritora. Con sus novelas logró algo que parece cada vez más difícil: conquistar un público que suele escaparle a los libros. La decisión de Camila, que va por su octava edición, Las dos caras de Sofía, también convertido en best seller yEste libro es mío, un cuaderno interactivo, generaron un fenómeno editorial exitoso que se retroalimenta con las redes sociales. Allí sus lectoras comentan las historias, intercambian experiencias y hasta consultan a la autora sobre sus problemas. Pero antes del éxito y de los reconocimientos, entre ellos el Premio Cervantes 2011 y el Bartolomé Hidalgo Revelación 2012, Curbelo pasó por trabajos muy diversos y tomó decisiones riesgosas para poder dedicarse a su vocación. Con el mismo espíritu entusiasta con el que crea sus historias y encara sus nuevos proyectos, la escritora conversó sobre la travesía que la llevó hasta sus libros, cuando estaba a punto de publicarLa confesión de Micaela, su último título. application/pdfspaUniversidad Católica del Uruguayhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/364/339Derechos de autor 2013 Dixithttps://creativecommons.org/licenses/by-nc/4.0/deed.esinfo:eu-repo/semantics/openAccessDixit; No. 18 (2013): Dixit; 56-60Dixit; Núm. 18 (2013): Dixit; 56-60Dixit; N.º 18 (2013): Dixit; 56-600797-36911688-349710.22235/d.v0i18reponame:LIBERIinstname:Universidad Católica del Uruguayinstacron:Universidad Católica del Uruguay''There was a need to write for teenagers''. Interview with Cecilia Curbelo“Había una necesidad de escribir para los adolescentes”. Entrevista a Cecilia Curbeloinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/publishedVersion10895/34032023-09-12 16:13:45.4oai:liberi.ucu.edu.uy:10895/3403Universidadhttps://www.ucu.edu.uy/https://liberi.ucu.edu.uy/oai/requestfranco.pertusso@ucu.edu.uyUruguayopendoar:103422023-09-12T19:13:45LIBERI - Universidad Católica del Uruguayfalse |
| spellingShingle | ''There was a need to write for teenagers''. Interview with Cecilia Curbelo Tanzi, Silvana |
| status_str | publishedVersion |
| title | ''There was a need to write for teenagers''. Interview with Cecilia Curbelo |
| title_full | ''There was a need to write for teenagers''. Interview with Cecilia Curbelo |
| title_fullStr | ''There was a need to write for teenagers''. Interview with Cecilia Curbelo |
| title_full_unstemmed | ''There was a need to write for teenagers''. Interview with Cecilia Curbelo |
| title_short | ''There was a need to write for teenagers''. Interview with Cecilia Curbelo |
| title_sort | ''There was a need to write for teenagers''. Interview with Cecilia Curbelo |
| url | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/364 https://hdl.handle.net/10895/3403 |
