The artist as a show: authenticity and performance in the society of media
El artista como espectáculo: autenticidad y performance en la sociedad mediática
| 2013 | |
|
performance contemporary arts subjectivity mass media visibility performance visibilidad. artes contemporáneas subjetividad medios de comunicación visibilidad |
|
| Español | |
| Universidad Católica del Uruguay | |
| LIBERI | |
|
https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/360
https://hdl.handle.net/10895/3399 |
|
| Acceso abierto |
| _version_ | 1815178699167760384 |
|---|---|
| author | Sibilia, Paula |
| author_facet | Sibilia, Paula |
| author_role | author |
| collection | LIBERI |
| dc.creator.none.fl_str_mv | Sibilia, Paula |
| dc.date.accessioned.none.fl_str_mv | 2023-09-12T19:13:43Z |
| dc.date.available.none.fl_str_mv | 2023-09-12T19:13:43Z |
| dc.date.none.fl_str_mv | 2013-09-20 |
| dc.description.en-US.fl_txt_mv | This article attempts to adjust the definition of performance in order to examine certain aspects of media and artistic practices developed in recent decades. Evoking his itinerary from the 1970s to the present, we wish to detect and analyze its most recent characteristics. With the intensification of some aspects of “the society of the spectacle” at the beginning of the 21st century, reinforced by the growing influence of audiovisual and interactive media, as well as by the market intrusion in areas which previously were closed to it, significant changes are affecting subjectivity and sociability. These new lifestyles stimulate the construction of oneself under the gaze of others, promoting a generalization of performative gestures in an attempt to “make yourself visible” in order to “be somebody”. It should be inquired, therefore, the specificity and the value of these practices in artistic terms, as well as its legitimacy or political validity. |
| dc.description.es-ES.fl_txt_mv | Este artículo intenta una definición de performance para examinar algunos aspectos de ciertas prácticas artísticas y mediáticas desarrolladas en las últimas décadas. Al evocar su trayectoria desde los años setenta hasta la actualidad, se pretende detectar y analizar sus particularidades más recientes. Con la intensificación de algunas características de la “sociedad del espectáculo” a principios del siglo XXI, reforzadas tanto por la creciente influencia de los medios de comunicación audiovisuales e interactivos como por la intrusión del mercado en ámbitos que antes le estaban vedados, se generan cambios importantes en las subjetividades y sociabilidades. Esos nuevos modos de vida estimulan la construcción de sí mismo bajo las miradas ajenas, y promueven una generalización de los gestos performáticos en la tentativa de “hacerse visible” para poder “ser alguien”. Cabe indagar, por tanto, la especificidad y el valor de tales manifestaciones en términos artísticos, así como su legitimidad o validez política. |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/360 10.22235/d.v0i18.360 |
| dc.identifier.uri.none.fl_str_mv | https://hdl.handle.net/10895/3399 |
| dc.language.iso.none.fl_str_mv | spa |
| dc.publisher.es-ES.fl_str_mv | Universidad Católica del Uruguay |
| dc.relation.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/360/335 |
| dc.rights.es-ES.fl_str_mv | Derechos de autor 2013 Dixit https://creativecommons.org/licenses/by-nc/4.0/deed.es |
| dc.rights.none.fl_str_mv | info:eu-repo/semantics/openAccess |
| dc.source.en-US.fl_str_mv | Dixit; No. 18 (2013): Dixit; 4-19 |
| dc.source.es-ES.fl_str_mv | Dixit; Núm. 18 (2013): Dixit; 4-19 |
| dc.source.none.fl_str_mv | 0797-3691 1688-3497 10.22235/d.v0i18 reponame:LIBERI instname:Universidad Católica del Uruguay instacron:Universidad Católica del Uruguay |
| dc.source.pt-PT.fl_str_mv | Dixit; N.º 18 (2013): Dixit; 4-19 |
| dc.subject.en-US.fl_str_mv | performance contemporary arts subjectivity mass media visibility |
| dc.subject.es-ES.fl_str_mv | performance visibilidad. artes contemporáneas subjetividad medios de comunicación visibilidad |
| dc.title.none.fl_str_mv | The artist as a show: authenticity and performance in the society of media El artista como espectáculo: autenticidad y performance en la sociedad mediática |
| dc.type.none.fl_str_mv | info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| dc.type.version.none.fl_str_mv | info:eu-repo/semantics/publishedVersion |
| description | This article attempts to adjust the definition of performance in order to examine certain aspects of media and artistic practices developed in recent decades. Evoking his itinerary from the 1970s to the present, we wish to detect and analyze its most recent characteristics. With the intensification of some aspects of “the society of the spectacle” at the beginning of the 21st century, reinforced by the growing influence of audiovisual and interactive media, as well as by the market intrusion in areas which previously were closed to it, significant changes are affecting subjectivity and sociability. These new lifestyles stimulate the construction of oneself under the gaze of others, promoting a generalization of performative gestures in an attempt to “make yourself visible” in order to “be somebody”. It should be inquired, therefore, the specificity and the value of these practices in artistic terms, as well as its legitimacy or political validity. |
| eu_rights_str_mv | openAccess |
| format | article |
| id | LIBERI_6d9850981682299a9b02e423f38581fb |
| identifier_str_mv | 10.22235/d.v0i18.360 |
| instacron_str | Universidad Católica del Uruguay |
| institution | Universidad Católica del Uruguay |
| instname_str | Universidad Católica del Uruguay |
| language | spa |
| network_acronym_str | LIBERI |
| network_name_str | LIBERI |
| oai_identifier_str | oai:liberi.ucu.edu.uy:10895/3399 |
| publishDate | 2013 |
| reponame_str | LIBERI |
| repository.mail.fl_str_mv | franco.pertusso@ucu.edu.uy |
| repository.name.fl_str_mv | LIBERI - Universidad Católica del Uruguay |
| repository_id_str | 10342 |
| rights_invalid_str_mv | Derechos de autor 2013 Dixit https://creativecommons.org/licenses/by-nc/4.0/deed.es |
| spelling | Sibilia, Paula2013-09-202023-09-12T19:13:43Z2023-09-12T19:13:43Zhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/36010.22235/d.v0i18.360https://hdl.handle.net/10895/3399This article attempts to adjust the definition of performance in order to examine certain aspects of media and artistic practices developed in recent decades. Evoking his itinerary from the 1970s to the present, we wish to detect and analyze its most recent characteristics. With the intensification of some aspects of “the society of the spectacle” at the beginning of the 21st century, reinforced by the growing influence of audiovisual and interactive media, as well as by the market intrusion in areas which previously were closed to it, significant changes are affecting subjectivity and sociability. These new lifestyles stimulate the construction of oneself under the gaze of others, promoting a generalization of performative gestures in an attempt to “make yourself visible” in order to “be somebody”. It should be inquired, therefore, the specificity and the value of these practices in artistic terms, as well as its legitimacy or political validity.Este artículo intenta una definición de performance para examinar algunos aspectos de ciertas prácticas artísticas y mediáticas desarrolladas en las últimas décadas. Al evocar su trayectoria desde los años setenta hasta la actualidad, se pretende detectar y analizar sus particularidades más recientes. Con la intensificación de algunas características de la “sociedad del espectáculo” a principios del siglo XXI, reforzadas tanto por la creciente influencia de los medios de comunicación audiovisuales e interactivos como por la intrusión del mercado en ámbitos que antes le estaban vedados, se generan cambios importantes en las subjetividades y sociabilidades. Esos nuevos modos de vida estimulan la construcción de sí mismo bajo las miradas ajenas, y promueven una generalización de los gestos performáticos en la tentativa de “hacerse visible” para poder “ser alguien”. Cabe indagar, por tanto, la especificidad y el valor de tales manifestaciones en términos artísticos, así como su legitimidad o validez política. application/pdfspaUniversidad Católica del Uruguayhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/360/335Derechos de autor 2013 Dixithttps://creativecommons.org/licenses/by-nc/4.0/deed.esinfo:eu-repo/semantics/openAccessDixit; No. 18 (2013): Dixit; 4-19Dixit; Núm. 18 (2013): Dixit; 4-19Dixit; N.º 18 (2013): Dixit; 4-190797-36911688-349710.22235/d.v0i18reponame:LIBERIinstname:Universidad Católica del Uruguayinstacron:Universidad Católica del Uruguayperformancecontemporary artssubjectivitymass mediavisibilityperformancevisibilidad.artes contemporáneassubjetividadmedios de comunicaciónvisibilidadThe artist as a show: authenticity and performance in the society of mediaEl artista como espectáculo: autenticidad y performance en la sociedad mediáticainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/publishedVersion10895/33992023-09-12 16:13:43.375oai:liberi.ucu.edu.uy:10895/3399Universidadhttps://www.ucu.edu.uy/https://liberi.ucu.edu.uy/oai/requestfranco.pertusso@ucu.edu.uyUruguayopendoar:103422023-09-12T19:13:43LIBERI - Universidad Católica del Uruguayfalse |
| spellingShingle | The artist as a show: authenticity and performance in the society of media Sibilia, Paula performance contemporary arts subjectivity mass media visibility performance visibilidad. artes contemporáneas subjetividad medios de comunicación visibilidad |
| status_str | publishedVersion |
| title | The artist as a show: authenticity and performance in the society of media |
| title_full | The artist as a show: authenticity and performance in the society of media |
| title_fullStr | The artist as a show: authenticity and performance in the society of media |
| title_full_unstemmed | The artist as a show: authenticity and performance in the society of media |
| title_short | The artist as a show: authenticity and performance in the society of media |
| title_sort | The artist as a show: authenticity and performance in the society of media |
| topic | performance contemporary arts subjectivity mass media visibility performance visibilidad. artes contemporáneas subjetividad medios de comunicación visibilidad |
| url | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/360 https://hdl.handle.net/10895/3399 |
