Argentine classic cinema: space, look and self-reflexivity. The cases of La trampa and Cosas de mujer
Cine clásico argentino: espacio, mirada y autorreflexividad. Los casos de La trampa y Cosas de mujer
| 2017 | |
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artes escénicas historia del cine cine clásico argentino puesta en escena autorreflexividad performing arts history of Cinema Argentinian classic cinema staging self-reflexivity |
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| Español | |
| Universidad Católica del Uruguay | |
| LIBERI | |
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https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1339
https://hdl.handle.net/10895/3478 |
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| Acceso abierto |
| Sumario: | This article proposes a rethinking of the canons of classic-industrial cinema in Argentina, from the analysis of two films of the period: La trampa (Christensen, 1949) and Cosas de mujer (Schlieper, 1951). Through the study of some of their staging operations, the construction of the spaces and the character-looks are highlighted, as well as the self-reflective gestures that appear in these productions. The discussion on the very notion of classical cinema and its characteristics, according to various researchers, allows us to conclude on the need to review this concept. |
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