Graphic humor, broadcasting, cinema: the configuration of the chanta stereotype in Avivato and El Gordo Villanueva
Humor gráfico, radio, cine: la configuración del estereotipo del chanta en Avivato y El Gordo Villanueva
| 2020 | |
|
Argentine cinema cultural industries popular characters stereotype chanta cine argentino industria cultural personajes populares estereotipo chanta |
|
| Español | |
| Universidad Católica del Uruguay | |
| LIBERI | |
| https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2036 | |
| Acceso abierto |
| _version_ | 1815178701594165248 |
|---|---|
| author | Rodríguez Riva, Lucía |
| author_facet | Rodríguez Riva, Lucía |
| author_role | author |
| collection | LIBERI |
| dc.creator.none.fl_str_mv | Rodríguez Riva, Lucía |
| dc.date.none.fl_str_mv | 2020-05-09 |
| dc.description.en-US.fl_txt_mv | In this article, trajectories of two fictional characters are reconstructed from their beginnings to their arrival at cinema: Avivato and El Gordo Villanueva. Both had their origins in magazines, but their allure for audiences was such, that they were brought to broadcasting and to the big screen. Although they are not the unique graphic characters that crossed this passage, interest in them lies in that they feature a characteristic type: the chanta. The two of them share certain idiosyncrasy and mode of behavior representative of an urban popular classes fraction in Argentina. Reading of these cases is conducted from cultural history and allows to observe how projection of a fictional character was articulated in its transmedial configuration. Finally, textual and situated analysis of both films unfolds some continuities and transformations produced between 1949 and 1964 within the Argentine cultural industry. |
| dc.description.es-ES.fl_txt_mv | En este artículo son reconstruidas las trayectorias de dos personajes ficcionales, desde sus inicios hasta la llegada al cine: Avivato y El Gordo Villanueva. Ambos tuvieron sus orígenes en la prensa, pero su atractivo para los públicos fue tan importante que pasaron a la radio y el cinematógrafo. Si bien no se trata de los únicos personajes gráficos que atravesaron ese pasaje, el interés por ellos radica en que componen un tipo característico: el chanta. Los dos comparten cierta idiosincrasia y modo de comportamiento representativo de una fracción de las clases populares urbanas en Argentina. La lectura de estos casos se inscribe dentro de la historia cultural y permite observar cómo se articulaba la proyección de un personaje ficcional en su configuración transmedial. Finalmente, el análisis textual y situado de ambos filmes despliega algunas permanencias y transformaciones producidas entre los años 1949 y 1964 dentro de la industria cultural argentina. |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2036 10.22235/d.vi32.2036 |
| dc.language.iso.none.fl_str_mv | spa |
| dc.publisher.es-ES.fl_str_mv | Universidad Católica del Uruguay |
| dc.relation.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2036/2077 |
| dc.rights.es-ES.fl_str_mv | Derechos de autor 2020 Dixit https://creativecommons.org/licenses/by/4.0 |
| dc.rights.none.fl_str_mv | info:eu-repo/semantics/openAccess |
| dc.source.en-US.fl_str_mv | Dixit; No. 32 (2020): Dixit; 01-15 |
| dc.source.es-ES.fl_str_mv | Dixit; Núm. 32 (2020): Dixit; 01-15 |
| dc.source.none.fl_str_mv | 0797-3691 1688-3497 10.22235/d.vi32 reponame:LIBERI instname:Universidad Católica del Uruguay instacron:Universidad Católica del Uruguay |
| dc.source.pt-PT.fl_str_mv | Dixit; N.º 32 (2020): Dixit; 01-15 |
| dc.subject.en-US.fl_str_mv | Argentine cinema cultural industries popular characters stereotype chanta |
| dc.subject.es-ES.fl_str_mv | cine argentino industria cultural personajes populares estereotipo chanta |
| dc.title.none.fl_str_mv | Graphic humor, broadcasting, cinema: the configuration of the chanta stereotype in Avivato and El Gordo Villanueva Humor gráfico, radio, cine: la configuración del estereotipo del chanta en Avivato y El Gordo Villanueva |
| dc.type.es-ES.fl_str_mv | Artículos |
| dc.type.none.fl_str_mv | info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| dc.type.version.none.fl_str_mv | info:eu-repo/semantics/publishedVersion |
| description | In this article, trajectories of two fictional characters are reconstructed from their beginnings to their arrival at cinema: Avivato and El Gordo Villanueva. Both had their origins in magazines, but their allure for audiences was such, that they were brought to broadcasting and to the big screen. Although they are not the unique graphic characters that crossed this passage, interest in them lies in that they feature a characteristic type: the chanta. The two of them share certain idiosyncrasy and mode of behavior representative of an urban popular classes fraction in Argentina. Reading of these cases is conducted from cultural history and allows to observe how projection of a fictional character was articulated in its transmedial configuration. Finally, textual and situated analysis of both films unfolds some continuities and transformations produced between 1949 and 1964 within the Argentine cultural industry. |
| eu_rights_str_mv | openAccess |
| format | article |
| id | LIBERI_3201052132be17f9b5a83b74c087bdd3 |
| identifier_str_mv | 10.22235/d.vi32.2036 |
| instacron_str | Universidad Católica del Uruguay |
| institution | Universidad Católica del Uruguay |
| instname_str | Universidad Católica del Uruguay |
| language | spa |
| network_acronym_str | LIBERI |
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| oai_identifier_str | oai:liberi.ucu.edu.uy:10895/3545 |
| publishDate | 2020 |
| reponame_str | LIBERI |
| repository.mail.fl_str_mv | franco.pertusso@ucu.edu.uy |
| repository.name.fl_str_mv | LIBERI - Universidad Católica del Uruguay |
| repository_id_str | 10342 |
| rights_invalid_str_mv | Derechos de autor 2020 Dixit https://creativecommons.org/licenses/by/4.0 |
| spelling | Rodríguez Riva, Lucía2020-05-09https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/203610.22235/d.vi32.2036In this article, trajectories of two fictional characters are reconstructed from their beginnings to their arrival at cinema: Avivato and El Gordo Villanueva. Both had their origins in magazines, but their allure for audiences was such, that they were brought to broadcasting and to the big screen. Although they are not the unique graphic characters that crossed this passage, interest in them lies in that they feature a characteristic type: the chanta. The two of them share certain idiosyncrasy and mode of behavior representative of an urban popular classes fraction in Argentina. Reading of these cases is conducted from cultural history and allows to observe how projection of a fictional character was articulated in its transmedial configuration. Finally, textual and situated analysis of both films unfolds some continuities and transformations produced between 1949 and 1964 within the Argentine cultural industry.En este artículo son reconstruidas las trayectorias de dos personajes ficcionales, desde sus inicios hasta la llegada al cine: Avivato y El Gordo Villanueva. Ambos tuvieron sus orígenes en la prensa, pero su atractivo para los públicos fue tan importante que pasaron a la radio y el cinematógrafo. Si bien no se trata de los únicos personajes gráficos que atravesaron ese pasaje, el interés por ellos radica en que componen un tipo característico: el chanta. Los dos comparten cierta idiosincrasia y modo de comportamiento representativo de una fracción de las clases populares urbanas en Argentina. La lectura de estos casos se inscribe dentro de la historia cultural y permite observar cómo se articulaba la proyección de un personaje ficcional en su configuración transmedial. Finalmente, el análisis textual y situado de ambos filmes despliega algunas permanencias y transformaciones producidas entre los años 1949 y 1964 dentro de la industria cultural argentina.application/pdfspaUniversidad Católica del Uruguayhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2036/2077Derechos de autor 2020 Dixithttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessDixit; No. 32 (2020): Dixit; 01-15Dixit; Núm. 32 (2020): Dixit; 01-15Dixit; N.º 32 (2020): Dixit; 01-150797-36911688-349710.22235/d.vi32reponame:LIBERIinstname:Universidad Católica del Uruguayinstacron:Universidad Católica del UruguayArgentine cinemacultural industriespopular charactersstereotypechantacine argentinoindustria culturalpersonajes popularesestereotipochantaGraphic humor, broadcasting, cinema: the configuration of the chanta stereotype in Avivato and El Gordo VillanuevaHumor gráfico, radio, cine: la configuración del estereotipo del chanta en Avivato y El Gordo Villanuevainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículosinfo:eu-repo/semantics/publishedVersion10895/35452024-08-25 20:11:07.061oai:liberi.ucu.edu.uy:10895/3545Universidadhttps://www.ucu.edu.uy/https://liberi.ucu.edu.uy/oai/requestfranco.pertusso@ucu.edu.uyUruguayopendoar:103422024-08-25T23:11:07LIBERI - Universidad Católica del Uruguayfalse |
| spellingShingle | Graphic humor, broadcasting, cinema: the configuration of the chanta stereotype in Avivato and El Gordo Villanueva Rodríguez Riva, Lucía Argentine cinema cultural industries popular characters stereotype chanta cine argentino industria cultural personajes populares estereotipo chanta |
| status_str | publishedVersion |
| title | Graphic humor, broadcasting, cinema: the configuration of the chanta stereotype in Avivato and El Gordo Villanueva |
| title_full | Graphic humor, broadcasting, cinema: the configuration of the chanta stereotype in Avivato and El Gordo Villanueva |
| title_fullStr | Graphic humor, broadcasting, cinema: the configuration of the chanta stereotype in Avivato and El Gordo Villanueva |
| title_full_unstemmed | Graphic humor, broadcasting, cinema: the configuration of the chanta stereotype in Avivato and El Gordo Villanueva |
| title_short | Graphic humor, broadcasting, cinema: the configuration of the chanta stereotype in Avivato and El Gordo Villanueva |
| title_sort | Graphic humor, broadcasting, cinema: the configuration of the chanta stereotype in Avivato and El Gordo Villanueva |
| topic | Argentine cinema cultural industries popular characters stereotype chanta cine argentino industria cultural personajes populares estereotipo chanta |
| url | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2036 |
