Towards a complex conception of television serialization in Latin America: A semiotic analysis of Luis Miguel, la serie
Hacia una concepción compleja de la serialización televisiva en Latinoamérica: un análisis semiótico de Luis Miguel, la serie
| 2019 | |
|
television series cultural genres soap opera serial narratives Bakhtin Luis Miguel series televisivas géneros culturales telenovela narrativas seriadas Bajtín Luis Miguel |
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| Español | |
| Universidad Católica del Uruguay | |
| LIBERI | |
|
https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1744
https://hdl.handle.net/10895/3521 |
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| Acceso abierto |
| _version_ | 1815178704077193216 |
|---|---|
| author | Gómez Ponce, Ariel |
| author_facet | Gómez Ponce, Ariel |
| author_role | author |
| collection | LIBERI |
| dc.creator.none.fl_str_mv | Gómez Ponce, Ariel |
| dc.date.accessioned.none.fl_str_mv | 2023-09-12T19:14:54Z |
| dc.date.available.none.fl_str_mv | 2023-09-12T19:14:54Z |
| dc.date.none.fl_str_mv | 2019-04-22 |
| dc.description.en-US.fl_txt_mv | This article aims to reflect on the way in which the phenomenon of serialization is defined in contemporary culture and to deepen the study of massive narratives that, in semiotic terms, lack univocal theoretical approaches. Based on Mikhail Bakhtin's transdisciplinary project, a theory framework is put in place to observe the current phenomenon of serial fictions in Latin America with a view that transcends genres and disarticulates form-content dichotomies and closed classifications. The case for analysis is Luis Miguel, the series (2018), a production that challenges the limits of contemporary television series by erasing the frontiers of traditional forms. Analyzing current television products in terms of a "generic uniqueness" allows an understanding of the compositional operations of these narratives, as well as the way in which they engage in increasingly less normative exchanges with other areas of culture. |
| dc.description.es-ES.fl_txt_mv | Este artículo se propone reflexionar acerca del modo en que se define el fenómeno de la serialización en la cultura contemporánea y profundizar en el estudio de narrativas masivas que, en clave semiótica, carecen de aproximaciones teóricas unívocas. Con base en el proyecto transdisciplinar de Mijaíl Bajtín, se entabla un marco teórico para observar el fenómeno actual de las ficciones seriadas en Latinoamérica con una mirada superadora de los géneros, que desarticule las dicotomías de forma-contenido y las clasificaciones clausuradas. Se selecciona como caso de análisis la ficción Luis Miguel, la serie (2018), una producción que cuestiona los límites de la serie televisiva contemporánea al borrar las fronteras de las formas tradicionales. Analizar los productos televisivos actuales en términos de una “unicidad genérica” permite comprender las operaciones compositivas de estas narrativas, así como la forma en que estas entablan intercambios cada vez menos normativizados con otras parcelas de la cultura. |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1744 10.22235/d.v0i30.1744 |
| dc.identifier.uri.none.fl_str_mv | https://hdl.handle.net/10895/3521 |
| dc.language.iso.none.fl_str_mv | spa |
| dc.publisher.es-ES.fl_str_mv | Universidad Católica del Uruguay |
| dc.relation.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1744/1745 |
| dc.rights.none.fl_str_mv | info:eu-repo/semantics/openAccess |
| dc.source.en-US.fl_str_mv | Dixit; No. 30 (2019): Dixit; 22-39 |
| dc.source.es-ES.fl_str_mv | Dixit; Núm. 30 (2019): Dixit; 22-39 |
| dc.source.none.fl_str_mv | 0797-3691 1688-3497 10.22235/d.v0i30 reponame:LIBERI instname:Universidad Católica del Uruguay instacron:Universidad Católica del Uruguay |
| dc.source.pt-PT.fl_str_mv | Dixit; N.º 30 (2019): Dixit; 22-39 |
| dc.subject.en-US.fl_str_mv | television series cultural genres soap opera serial narratives Bakhtin Luis Miguel |
| dc.subject.es-ES.fl_str_mv | series televisivas géneros culturales telenovela narrativas seriadas Bajtín Luis Miguel |
| dc.title.none.fl_str_mv | Towards a complex conception of television serialization in Latin America: A semiotic analysis of Luis Miguel, la serie Hacia una concepción compleja de la serialización televisiva en Latinoamérica: un análisis semiótico de Luis Miguel, la serie |
| dc.type.none.fl_str_mv | info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| dc.type.version.none.fl_str_mv | info:eu-repo/semantics/publishedVersion |
| description | This article aims to reflect on the way in which the phenomenon of serialization is defined in contemporary culture and to deepen the study of massive narratives that, in semiotic terms, lack univocal theoretical approaches. Based on Mikhail Bakhtin's transdisciplinary project, a theory framework is put in place to observe the current phenomenon of serial fictions in Latin America with a view that transcends genres and disarticulates form-content dichotomies and closed classifications. The case for analysis is Luis Miguel, the series (2018), a production that challenges the limits of contemporary television series by erasing the frontiers of traditional forms. Analyzing current television products in terms of a "generic uniqueness" allows an understanding of the compositional operations of these narratives, as well as the way in which they engage in increasingly less normative exchanges with other areas of culture. |
| eu_rights_str_mv | openAccess |
| format | article |
| id | LIBERI_29dc6809b46fc78ef2b83bf774079786 |
| identifier_str_mv | 10.22235/d.v0i30.1744 |
| instacron_str | Universidad Católica del Uruguay |
| institution | Universidad Católica del Uruguay |
| instname_str | Universidad Católica del Uruguay |
| language | spa |
| network_acronym_str | LIBERI |
| network_name_str | LIBERI |
| oai_identifier_str | oai:liberi.ucu.edu.uy:10895/3521 |
| publishDate | 2019 |
| reponame_str | LIBERI |
| repository.mail.fl_str_mv | franco.pertusso@ucu.edu.uy |
| repository.name.fl_str_mv | LIBERI - Universidad Católica del Uruguay |
| repository_id_str | 10342 |
| spelling | Gómez Ponce, Ariel2019-04-222023-09-12T19:14:54Z2023-09-12T19:14:54Zhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/174410.22235/d.v0i30.1744https://hdl.handle.net/10895/3521This article aims to reflect on the way in which the phenomenon of serialization is defined in contemporary culture and to deepen the study of massive narratives that, in semiotic terms, lack univocal theoretical approaches. Based on Mikhail Bakhtin's transdisciplinary project, a theory framework is put in place to observe the current phenomenon of serial fictions in Latin America with a view that transcends genres and disarticulates form-content dichotomies and closed classifications. The case for analysis is Luis Miguel, the series (2018), a production that challenges the limits of contemporary television series by erasing the frontiers of traditional forms. Analyzing current television products in terms of a "generic uniqueness" allows an understanding of the compositional operations of these narratives, as well as the way in which they engage in increasingly less normative exchanges with other areas of culture.Este artículo se propone reflexionar acerca del modo en que se define el fenómeno de la serialización en la cultura contemporánea y profundizar en el estudio de narrativas masivas que, en clave semiótica, carecen de aproximaciones teóricas unívocas. Con base en el proyecto transdisciplinar de Mijaíl Bajtín, se entabla un marco teórico para observar el fenómeno actual de las ficciones seriadas en Latinoamérica con una mirada superadora de los géneros, que desarticule las dicotomías de forma-contenido y las clasificaciones clausuradas. Se selecciona como caso de análisis la ficción Luis Miguel, la serie (2018), una producción que cuestiona los límites de la serie televisiva contemporánea al borrar las fronteras de las formas tradicionales. Analizar los productos televisivos actuales en términos de una “unicidad genérica” permite comprender las operaciones compositivas de estas narrativas, así como la forma en que estas entablan intercambios cada vez menos normativizados con otras parcelas de la cultura.application/pdfspaUniversidad Católica del Uruguayhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1744/1745Dixit; No. 30 (2019): Dixit; 22-39Dixit; Núm. 30 (2019): Dixit; 22-39Dixit; N.º 30 (2019): Dixit; 22-390797-36911688-349710.22235/d.v0i30reponame:LIBERIinstname:Universidad Católica del Uruguayinstacron:Universidad Católica del Uruguaytelevision seriescultural genressoap operaserial narrativesBakhtinLuis Miguelseries televisivasgéneros culturalestelenovelanarrativas seriadasBajtínLuis MiguelTowards a complex conception of television serialization in Latin America: A semiotic analysis of Luis Miguel, la serieHacia una concepción compleja de la serialización televisiva en Latinoamérica: un análisis semiótico de Luis Miguel, la serieinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/openAccess10895/35212023-09-12 16:14:54.466oai:liberi.ucu.edu.uy:10895/3521Universidadhttps://www.ucu.edu.uy/https://liberi.ucu.edu.uy/oai/requestfranco.pertusso@ucu.edu.uyUruguayopendoar:103422023-09-12T19:14:54LIBERI - Universidad Católica del Uruguayfalse |
| spellingShingle | Towards a complex conception of television serialization in Latin America: A semiotic analysis of Luis Miguel, la serie Gómez Ponce, Ariel television series cultural genres soap opera serial narratives Bakhtin Luis Miguel series televisivas géneros culturales telenovela narrativas seriadas Bajtín Luis Miguel |
| status_str | publishedVersion |
| title | Towards a complex conception of television serialization in Latin America: A semiotic analysis of Luis Miguel, la serie |
| title_full | Towards a complex conception of television serialization in Latin America: A semiotic analysis of Luis Miguel, la serie |
| title_fullStr | Towards a complex conception of television serialization in Latin America: A semiotic analysis of Luis Miguel, la serie |
| title_full_unstemmed | Towards a complex conception of television serialization in Latin America: A semiotic analysis of Luis Miguel, la serie |
| title_short | Towards a complex conception of television serialization in Latin America: A semiotic analysis of Luis Miguel, la serie |
| title_sort | Towards a complex conception of television serialization in Latin America: A semiotic analysis of Luis Miguel, la serie |
| topic | television series cultural genres soap opera serial narratives Bakhtin Luis Miguel series televisivas géneros culturales telenovela narrativas seriadas Bajtín Luis Miguel |
| url | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1744 https://hdl.handle.net/10895/3521 |
