The Latin American Colloquiums of Photography and the reconfiguration of photographic practices

Los Coloquios Latinoamericanos de Fotografía y la reconfiguración de las prácticas fotográficas

Rigat, Leticia
Detalles Bibliográficos
2020
Photography
Latin America
Documentary
Identity
Contemporary Art
Fotografía
Latinoamérica
documentalismo
identidad
arte contemporáneo
Español
Universidad Católica del Uruguay
LIBERI
https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2108
Acceso abierto
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author Rigat, Leticia
author_facet Rigat, Leticia
author_role author
collection LIBERI
dc.creator.none.fl_str_mv Rigat, Leticia
dc.date.none.fl_str_mv 2020-05-12
dc.description.en-US.fl_txt_mv This article reflects on the changes in the ways of representation in Latin American photography during the 1990s. In this period, it is possible to observe a rupture with the documentary photography of direct registration, a kind of aesthetics that had been established as a feature of the regional photography in the preceding decades. The above-mentioned transformation can be observed from the rise of photographic works characterized by the authors' intervention (either on the level of representation and/or the level of the represented), causing a dimension of temporality typical of contemporary art and the Latin Americanist thought: to deconstruct the images that shaped our imaginaries and the Latin American identity in the present. In this sense, the documents and minutes from the Latin American Colloquiums of Photography, which took place between 1978 and 1996, are inquired. During these colloquiums, photographic practices tried to be defined and categorized.
dc.description.es-ES.fl_txt_mv El presente trabajo se propone reflexionar sobre los cambios en los modos de representación en la fotografía latinoamericana en los años noventa. En ese período es posible observar una ruptura con el fotodocumentalismo de registro directo, estética que se había establecido como característica de la fotografía de la región en las décadas precedentes. Dicha transformación es observable a partir del auge de obras fotográficas caracterizadas por la intervención de los autores —ya sea sobre el plano de la representación o sobre el plano de lo representado—, lo que genera una dimensión de la temporalidad propia del arte contemporáneo y del pensamiento latinoamericanista: deconstruir las imágenes que conformaron los imaginarios y la identidad latinoamericana en el presente. En este sentido, se indagan los documentos y actas de los Coloquios Latinoamericanos de Fotografía que tuvieron lugar entre los años 1978 y 1996, en los que se buscó definir y categorizar a las prácticas fotográficas.
dc.format.none.fl_str_mv application/pdf
dc.identifier.none.fl_str_mv https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2108
10.22235/d.vi32.2108
dc.language.iso.none.fl_str_mv spa
dc.publisher.es-ES.fl_str_mv Universidad Católica del Uruguay
dc.relation.none.fl_str_mv https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2108/2080
dc.rights.es-ES.fl_str_mv Derechos de autor 2020 Dixit
https://creativecommons.org/licenses/by/4.0
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
dc.source.en-US.fl_str_mv Dixit; No. 32 (2020): Dixit; 33-45
dc.source.es-ES.fl_str_mv Dixit; Núm. 32 (2020): Dixit; 33-45
dc.source.none.fl_str_mv 0797-3691
1688-3497
10.22235/d.vi32
reponame:LIBERI
instname:Universidad Católica del Uruguay
instacron:Universidad Católica del Uruguay
dc.source.pt-PT.fl_str_mv Dixit; N.º 32 (2020): Dixit; 33-45
dc.subject.en-US.fl_str_mv Photography
Latin America
Documentary
Identity
Contemporary Art
dc.subject.es-ES.fl_str_mv Fotografía
Latinoamérica
documentalismo
identidad
arte contemporáneo
dc.title.none.fl_str_mv The Latin American Colloquiums of Photography and the reconfiguration of photographic practices
Los Coloquios Latinoamericanos de Fotografía y la reconfiguración de las prácticas fotográficas
dc.type.es-ES.fl_str_mv Artículos
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
dc.type.version.none.fl_str_mv info:eu-repo/semantics/publishedVersion
description This article reflects on the changes in the ways of representation in Latin American photography during the 1990s. In this period, it is possible to observe a rupture with the documentary photography of direct registration, a kind of aesthetics that had been established as a feature of the regional photography in the preceding decades. The above-mentioned transformation can be observed from the rise of photographic works characterized by the authors' intervention (either on the level of representation and/or the level of the represented), causing a dimension of temporality typical of contemporary art and the Latin Americanist thought: to deconstruct the images that shaped our imaginaries and the Latin American identity in the present. In this sense, the documents and minutes from the Latin American Colloquiums of Photography, which took place between 1978 and 1996, are inquired. During these colloquiums, photographic practices tried to be defined and categorized.
eu_rights_str_mv openAccess
format article
id LIBERI_165bbb38d8cff97fcf352f1d879a6654
identifier_str_mv 10.22235/d.vi32.2108
instacron_str Universidad Católica del Uruguay
institution Universidad Católica del Uruguay
instname_str Universidad Católica del Uruguay
language spa
network_acronym_str LIBERI
network_name_str LIBERI
oai_identifier_str oai:liberi.ucu.edu.uy:10895/3546
publishDate 2020
reponame_str LIBERI
repository.mail.fl_str_mv franco.pertusso@ucu.edu.uy
repository.name.fl_str_mv LIBERI - Universidad Católica del Uruguay
repository_id_str 10342
rights_invalid_str_mv Derechos de autor 2020 Dixit
https://creativecommons.org/licenses/by/4.0
spelling Rigat, Leticia2020-05-12https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/210810.22235/d.vi32.2108This article reflects on the changes in the ways of representation in Latin American photography during the 1990s. In this period, it is possible to observe a rupture with the documentary photography of direct registration, a kind of aesthetics that had been established as a feature of the regional photography in the preceding decades. The above-mentioned transformation can be observed from the rise of photographic works characterized by the authors' intervention (either on the level of representation and/or the level of the represented), causing a dimension of temporality typical of contemporary art and the Latin Americanist thought: to deconstruct the images that shaped our imaginaries and the Latin American identity in the present. In this sense, the documents and minutes from the Latin American Colloquiums of Photography, which took place between 1978 and 1996, are inquired. During these colloquiums, photographic practices tried to be defined and categorized.El presente trabajo se propone reflexionar sobre los cambios en los modos de representación en la fotografía latinoamericana en los años noventa. En ese período es posible observar una ruptura con el fotodocumentalismo de registro directo, estética que se había establecido como característica de la fotografía de la región en las décadas precedentes. Dicha transformación es observable a partir del auge de obras fotográficas caracterizadas por la intervención de los autores —ya sea sobre el plano de la representación o sobre el plano de lo representado—, lo que genera una dimensión de la temporalidad propia del arte contemporáneo y del pensamiento latinoamericanista: deconstruir las imágenes que conformaron los imaginarios y la identidad latinoamericana en el presente. En este sentido, se indagan los documentos y actas de los Coloquios Latinoamericanos de Fotografía que tuvieron lugar entre los años 1978 y 1996, en los que se buscó definir y categorizar a las prácticas fotográficas.application/pdfspaUniversidad Católica del Uruguayhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2108/2080Derechos de autor 2020 Dixithttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessDixit; No. 32 (2020): Dixit; 33-45Dixit; Núm. 32 (2020): Dixit; 33-45Dixit; N.º 32 (2020): Dixit; 33-450797-36911688-349710.22235/d.vi32reponame:LIBERIinstname:Universidad Católica del Uruguayinstacron:Universidad Católica del UruguayPhotographyLatin AmericaDocumentaryIdentityContemporary ArtFotografíaLatinoaméricadocumentalismoidentidadarte contemporáneoThe Latin American Colloquiums of Photography and the reconfiguration of photographic practicesLos Coloquios Latinoamericanos de Fotografía y la reconfiguración de las prácticas fotográficasinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículosinfo:eu-repo/semantics/publishedVersion10895/35462024-08-25 20:11:09.695oai:liberi.ucu.edu.uy:10895/3546Universidadhttps://www.ucu.edu.uy/https://liberi.ucu.edu.uy/oai/requestfranco.pertusso@ucu.edu.uyUruguayopendoar:103422024-08-25T23:11:09LIBERI - Universidad Católica del Uruguayfalse
spellingShingle The Latin American Colloquiums of Photography and the reconfiguration of photographic practices
Rigat, Leticia
Photography
Latin America
Documentary
Identity
Contemporary Art
Fotografía
Latinoamérica
documentalismo
identidad
arte contemporáneo
status_str publishedVersion
title The Latin American Colloquiums of Photography and the reconfiguration of photographic practices
title_full The Latin American Colloquiums of Photography and the reconfiguration of photographic practices
title_fullStr The Latin American Colloquiums of Photography and the reconfiguration of photographic practices
title_full_unstemmed The Latin American Colloquiums of Photography and the reconfiguration of photographic practices
title_short The Latin American Colloquiums of Photography and the reconfiguration of photographic practices
title_sort The Latin American Colloquiums of Photography and the reconfiguration of photographic practices
topic Photography
Latin America
Documentary
Identity
Contemporary Art
Fotografía
Latinoamérica
documentalismo
identidad
arte contemporáneo
url https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2108