The Latin American Colloquiums of Photography and the reconfiguration of photographic practices
Los Coloquios Latinoamericanos de Fotografía y la reconfiguración de las prácticas fotográficas
2020 | |
Photography Latin America Documentary Identity Contemporary Art Fotografía Latinoamérica documentalismo identidad arte contemporáneo |
|
Español | |
Universidad Católica del Uruguay | |
LIBERI | |
https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2108 | |
Acceso abierto |
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---|---|
author | Rigat, Leticia |
author_facet | Rigat, Leticia |
author_role | author |
collection | LIBERI |
dc.creator.none.fl_str_mv | Rigat, Leticia |
dc.date.none.fl_str_mv | 2020-05-12 |
dc.description.en-US.fl_txt_mv | This article reflects on the changes in the ways of representation in Latin American photography during the 1990s. In this period, it is possible to observe a rupture with the documentary photography of direct registration, a kind of aesthetics that had been established as a feature of the regional photography in the preceding decades. The above-mentioned transformation can be observed from the rise of photographic works characterized by the authors' intervention (either on the level of representation and/or the level of the represented), causing a dimension of temporality typical of contemporary art and the Latin Americanist thought: to deconstruct the images that shaped our imaginaries and the Latin American identity in the present. In this sense, the documents and minutes from the Latin American Colloquiums of Photography, which took place between 1978 and 1996, are inquired. During these colloquiums, photographic practices tried to be defined and categorized. |
dc.description.es-ES.fl_txt_mv | El presente trabajo se propone reflexionar sobre los cambios en los modos de representación en la fotografía latinoamericana en los años noventa. En ese período es posible observar una ruptura con el fotodocumentalismo de registro directo, estética que se había establecido como característica de la fotografía de la región en las décadas precedentes. Dicha transformación es observable a partir del auge de obras fotográficas caracterizadas por la intervención de los autores —ya sea sobre el plano de la representación o sobre el plano de lo representado—, lo que genera una dimensión de la temporalidad propia del arte contemporáneo y del pensamiento latinoamericanista: deconstruir las imágenes que conformaron los imaginarios y la identidad latinoamericana en el presente. En este sentido, se indagan los documentos y actas de los Coloquios Latinoamericanos de Fotografía que tuvieron lugar entre los años 1978 y 1996, en los que se buscó definir y categorizar a las prácticas fotográficas. |
dc.format.none.fl_str_mv | application/pdf |
dc.identifier.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2108 10.22235/d.vi32.2108 |
dc.language.iso.none.fl_str_mv | spa |
dc.publisher.es-ES.fl_str_mv | Universidad Católica del Uruguay |
dc.relation.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2108/2080 |
dc.rights.es-ES.fl_str_mv | Derechos de autor 2020 Dixit https://creativecommons.org/licenses/by/4.0 |
dc.rights.none.fl_str_mv | info:eu-repo/semantics/openAccess |
dc.source.en-US.fl_str_mv | Dixit; No. 32 (2020): Dixit; 33-45 |
dc.source.es-ES.fl_str_mv | Dixit; Núm. 32 (2020): Dixit; 33-45 |
dc.source.none.fl_str_mv | 0797-3691 1688-3497 10.22235/d.vi32 reponame:LIBERI instname:Universidad Católica del Uruguay instacron:Universidad Católica del Uruguay |
dc.source.pt-PT.fl_str_mv | Dixit; N.º 32 (2020): Dixit; 33-45 |
dc.subject.en-US.fl_str_mv | Photography Latin America Documentary Identity Contemporary Art |
dc.subject.es-ES.fl_str_mv | Fotografía Latinoamérica documentalismo identidad arte contemporáneo |
dc.title.none.fl_str_mv | The Latin American Colloquiums of Photography and the reconfiguration of photographic practices Los Coloquios Latinoamericanos de Fotografía y la reconfiguración de las prácticas fotográficas |
dc.type.es-ES.fl_str_mv | Artículos |
dc.type.none.fl_str_mv | info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
dc.type.version.none.fl_str_mv | info:eu-repo/semantics/publishedVersion |
description | This article reflects on the changes in the ways of representation in Latin American photography during the 1990s. In this period, it is possible to observe a rupture with the documentary photography of direct registration, a kind of aesthetics that had been established as a feature of the regional photography in the preceding decades. The above-mentioned transformation can be observed from the rise of photographic works characterized by the authors' intervention (either on the level of representation and/or the level of the represented), causing a dimension of temporality typical of contemporary art and the Latin Americanist thought: to deconstruct the images that shaped our imaginaries and the Latin American identity in the present. In this sense, the documents and minutes from the Latin American Colloquiums of Photography, which took place between 1978 and 1996, are inquired. During these colloquiums, photographic practices tried to be defined and categorized. |
eu_rights_str_mv | openAccess |
format | article |
id | LIBERI_165bbb38d8cff97fcf352f1d879a6654 |
identifier_str_mv | 10.22235/d.vi32.2108 |
instacron_str | Universidad Católica del Uruguay |
institution | Universidad Católica del Uruguay |
instname_str | Universidad Católica del Uruguay |
language | spa |
network_acronym_str | LIBERI |
network_name_str | LIBERI |
oai_identifier_str | oai:liberi.ucu.edu.uy:10895/3546 |
publishDate | 2020 |
reponame_str | LIBERI |
repository.mail.fl_str_mv | franco.pertusso@ucu.edu.uy |
repository.name.fl_str_mv | LIBERI - Universidad Católica del Uruguay |
repository_id_str | 10342 |
rights_invalid_str_mv | Derechos de autor 2020 Dixit https://creativecommons.org/licenses/by/4.0 |
spelling | Rigat, Leticia2020-05-12https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/210810.22235/d.vi32.2108This article reflects on the changes in the ways of representation in Latin American photography during the 1990s. In this period, it is possible to observe a rupture with the documentary photography of direct registration, a kind of aesthetics that had been established as a feature of the regional photography in the preceding decades. The above-mentioned transformation can be observed from the rise of photographic works characterized by the authors' intervention (either on the level of representation and/or the level of the represented), causing a dimension of temporality typical of contemporary art and the Latin Americanist thought: to deconstruct the images that shaped our imaginaries and the Latin American identity in the present. In this sense, the documents and minutes from the Latin American Colloquiums of Photography, which took place between 1978 and 1996, are inquired. During these colloquiums, photographic practices tried to be defined and categorized.El presente trabajo se propone reflexionar sobre los cambios en los modos de representación en la fotografía latinoamericana en los años noventa. En ese período es posible observar una ruptura con el fotodocumentalismo de registro directo, estética que se había establecido como característica de la fotografía de la región en las décadas precedentes. Dicha transformación es observable a partir del auge de obras fotográficas caracterizadas por la intervención de los autores —ya sea sobre el plano de la representación o sobre el plano de lo representado—, lo que genera una dimensión de la temporalidad propia del arte contemporáneo y del pensamiento latinoamericanista: deconstruir las imágenes que conformaron los imaginarios y la identidad latinoamericana en el presente. En este sentido, se indagan los documentos y actas de los Coloquios Latinoamericanos de Fotografía que tuvieron lugar entre los años 1978 y 1996, en los que se buscó definir y categorizar a las prácticas fotográficas.application/pdfspaUniversidad Católica del Uruguayhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2108/2080Derechos de autor 2020 Dixithttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessDixit; No. 32 (2020): Dixit; 33-45Dixit; Núm. 32 (2020): Dixit; 33-45Dixit; N.º 32 (2020): Dixit; 33-450797-36911688-349710.22235/d.vi32reponame:LIBERIinstname:Universidad Católica del Uruguayinstacron:Universidad Católica del UruguayPhotographyLatin AmericaDocumentaryIdentityContemporary ArtFotografíaLatinoaméricadocumentalismoidentidadarte contemporáneoThe Latin American Colloquiums of Photography and the reconfiguration of photographic practicesLos Coloquios Latinoamericanos de Fotografía y la reconfiguración de las prácticas fotográficasinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículosinfo:eu-repo/semantics/publishedVersion10895/35462024-08-25 20:11:09.695oai:liberi.ucu.edu.uy:10895/3546Universidadhttps://www.ucu.edu.uy/https://liberi.ucu.edu.uy/oai/requestfranco.pertusso@ucu.edu.uyUruguayopendoar:103422024-08-25T23:11:09LIBERI - Universidad Católica del Uruguayfalse |
spellingShingle | The Latin American Colloquiums of Photography and the reconfiguration of photographic practices Rigat, Leticia Photography Latin America Documentary Identity Contemporary Art Fotografía Latinoamérica documentalismo identidad arte contemporáneo |
status_str | publishedVersion |
title | The Latin American Colloquiums of Photography and the reconfiguration of photographic practices |
title_full | The Latin American Colloquiums of Photography and the reconfiguration of photographic practices |
title_fullStr | The Latin American Colloquiums of Photography and the reconfiguration of photographic practices |
title_full_unstemmed | The Latin American Colloquiums of Photography and the reconfiguration of photographic practices |
title_short | The Latin American Colloquiums of Photography and the reconfiguration of photographic practices |
title_sort | The Latin American Colloquiums of Photography and the reconfiguration of photographic practices |
topic | Photography Latin America Documentary Identity Contemporary Art Fotografía Latinoamérica documentalismo identidad arte contemporáneo |
url | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/2108 |