Pedro Meyer. In search of things to come
Pedro Meyer. En busca de lo que vendrá
2015 | |
Español | |
Universidad Católica del Uruguay | |
LIBERI | |
https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/687
https://hdl.handle.net/10895/3448 |
|
Acceso abierto |
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---|---|
author | Vidal, Cecilia |
author_facet | Vidal, Cecilia |
author_role | author |
collection | LIBERI |
dc.creator.none.fl_str_mv | Vidal, Cecilia |
dc.date.accessioned.none.fl_str_mv | 2023-09-12T19:14:17Z |
dc.date.available.none.fl_str_mv | 2023-09-12T19:14:17Z |
dc.date.none.fl_str_mv | 2015-12-18 |
dc.description.en-US.fl_txt_mv | On the first days of December in 2015 Pedro Meyer, the renowned 80-year old Mexican photographer, visited Montevideo on the occasion of the opening of his retrospective exhibition, A history of migrations, which was carried out by the Photography Center (Centro de Fotografía; Spanish initials: CDF). The exhibition is by way of being a tribute to his extensive artistic career and his vital drive for research and innovation. Those two aspects have always defined his creative path. CDF, in its turn proposed a think tank led by Meyer on The buildup of narration in photography, as a part of the program on Paths of training. The quota was filled: twenty people participated. I was one of those twenty people. |
dc.description.es-ES.fl_txt_mv | A principios de diciembre de 2015, el renombrado fotógrafo mexicano Pedro Meyer, a sus 80 años, visitó Montevideo para inaugurar la muestra retrospectiva de su obra, Una historia de migraciones, llevada a cabo por el Centro de Fotografía (CDF). Se trata de un homenaje a su vasta trayectoria e impulso vital de búsqueda e innovación, aspectos que definen su camino creativo desde siempre. A su vez, el CDF, en el marco del programa Los caminos de la formación, también propuso un laboratorio de reflexión a cargo de Meyer, Construcción narrativa en la fotografía, en el que veinte personas llenaron los cupos. Fui una de las veinte. |
dc.format.none.fl_str_mv | application/pdf |
dc.identifier.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/687 10.22235/d.v0i23.687 |
dc.identifier.uri.none.fl_str_mv | https://hdl.handle.net/10895/3448 |
dc.language.iso.none.fl_str_mv | spa |
dc.publisher.es-ES.fl_str_mv | Universidad Católica del Uruguay |
dc.relation.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/687/675 |
dc.rights.es-ES.fl_str_mv | https://creativecommons.org/licenses/by-nc/4.0/deed.es |
dc.rights.none.fl_str_mv | info:eu-repo/semantics/openAccess |
dc.source.en-US.fl_str_mv | Dixit; No. 23 (2015): Dixit; 64-67 |
dc.source.es-ES.fl_str_mv | Dixit; Núm. 23 (2015): Dixit; 64-67 |
dc.source.none.fl_str_mv | 0797-3691 1688-3497 10.22235/d.v0i23 reponame:LIBERI instname:Universidad Católica del Uruguay instacron:Universidad Católica del Uruguay |
dc.source.pt-PT.fl_str_mv | Dixit; N.º 23 (2015): Dixit; 64-67 |
dc.title.none.fl_str_mv | Pedro Meyer. In search of things to come Pedro Meyer. En busca de lo que vendrá |
dc.type.none.fl_str_mv | info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
dc.type.version.none.fl_str_mv | info:eu-repo/semantics/publishedVersion |
description | On the first days of December in 2015 Pedro Meyer, the renowned 80-year old Mexican photographer, visited Montevideo on the occasion of the opening of his retrospective exhibition, A history of migrations, which was carried out by the Photography Center (Centro de Fotografía; Spanish initials: CDF). The exhibition is by way of being a tribute to his extensive artistic career and his vital drive for research and innovation. Those two aspects have always defined his creative path. CDF, in its turn proposed a think tank led by Meyer on The buildup of narration in photography, as a part of the program on Paths of training. The quota was filled: twenty people participated. I was one of those twenty people. |
eu_rights_str_mv | openAccess |
format | article |
id | LIBERI_0662df91f13412468069859f243e4ecb |
identifier_str_mv | 10.22235/d.v0i23.687 |
instacron_str | Universidad Católica del Uruguay |
institution | Universidad Católica del Uruguay |
instname_str | Universidad Católica del Uruguay |
language | spa |
network_acronym_str | LIBERI |
network_name_str | LIBERI |
oai_identifier_str | oai:liberi.ucu.edu.uy:10895/3448 |
publishDate | 2015 |
reponame_str | LIBERI |
repository.mail.fl_str_mv | franco.pertusso@ucu.edu.uy |
repository.name.fl_str_mv | LIBERI - Universidad Católica del Uruguay |
repository_id_str | 10342 |
rights_invalid_str_mv | https://creativecommons.org/licenses/by-nc/4.0/deed.es |
spelling | Vidal, Cecilia2015-12-182023-09-12T19:14:17Z2023-09-12T19:14:17Zhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/68710.22235/d.v0i23.687https://hdl.handle.net/10895/3448On the first days of December in 2015 Pedro Meyer, the renowned 80-year old Mexican photographer, visited Montevideo on the occasion of the opening of his retrospective exhibition, A history of migrations, which was carried out by the Photography Center (Centro de Fotografía; Spanish initials: CDF). The exhibition is by way of being a tribute to his extensive artistic career and his vital drive for research and innovation. Those two aspects have always defined his creative path. CDF, in its turn proposed a think tank led by Meyer on The buildup of narration in photography, as a part of the program on Paths of training. The quota was filled: twenty people participated. I was one of those twenty people.A principios de diciembre de 2015, el renombrado fotógrafo mexicano Pedro Meyer, a sus 80 años, visitó Montevideo para inaugurar la muestra retrospectiva de su obra, Una historia de migraciones, llevada a cabo por el Centro de Fotografía (CDF). Se trata de un homenaje a su vasta trayectoria e impulso vital de búsqueda e innovación, aspectos que definen su camino creativo desde siempre. A su vez, el CDF, en el marco del programa Los caminos de la formación, también propuso un laboratorio de reflexión a cargo de Meyer, Construcción narrativa en la fotografía, en el que veinte personas llenaron los cupos. Fui una de las veinte. application/pdfspaUniversidad Católica del Uruguayhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/687/675https://creativecommons.org/licenses/by-nc/4.0/deed.esinfo:eu-repo/semantics/openAccessDixit; No. 23 (2015): Dixit; 64-67Dixit; Núm. 23 (2015): Dixit; 64-67Dixit; N.º 23 (2015): Dixit; 64-670797-36911688-349710.22235/d.v0i23reponame:LIBERIinstname:Universidad Católica del Uruguayinstacron:Universidad Católica del UruguayPedro Meyer. In search of things to comePedro Meyer. En busca de lo que vendráinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/publishedVersion10895/34482023-09-12 16:14:17.299oai:liberi.ucu.edu.uy:10895/3448Universidadhttps://www.ucu.edu.uy/https://liberi.ucu.edu.uy/oai/requestfranco.pertusso@ucu.edu.uyUruguayopendoar:103422023-09-12T19:14:17LIBERI - Universidad Católica del Uruguayfalse |
spellingShingle | Pedro Meyer. In search of things to come Vidal, Cecilia |
status_str | publishedVersion |
title | Pedro Meyer. In search of things to come |
title_full | Pedro Meyer. In search of things to come |
title_fullStr | Pedro Meyer. In search of things to come |
title_full_unstemmed | Pedro Meyer. In search of things to come |
title_short | Pedro Meyer. In search of things to come |
title_sort | Pedro Meyer. In search of things to come |
url | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/687 https://hdl.handle.net/10895/3448 |