Clave patterns in Uruguayan Candombe drumming
Resumen:
Uruguayan Candombe drumming has deep African roots, and like other musics of the Afro–Atlantic world, its rhythm is timeline–based. The timeline pattern of Candombe, called madera, has many traits in common with similar patterns in Afro–American music, like the son clave. It presents, however, significant differences with the more common uses of timeline patterns in other musics of the same tradition. For instance, instead of a single timeline pattern as in other Afro–Latin–American musics, the madera pattern allows for different variants. In this paper, Music Information Retrieval techniques are applied to a dataset of Candombe recordings in order to analyse the characteristics of the madera pattern, and group and classify its most recurrent variations
| 2017 | |
| Procesamiento de Señales | |
| Inglés | |
| Universidad de la República | |
| COLIBRI | |
| https://hdl.handle.net/20.500.12008/43513 | |
| Acceso abierto | |
| Licencia Creative Commons Atribución - No Comercial - Sin Derivadas (CC - By-NC-ND 4.0) |
| _version_ | 1807522942061379584 |
|---|---|
| author | Jure, Luis |
| author2 | Rocamora, Martín |
| author2_role | author |
| author_facet | Jure, Luis Rocamora, Martín |
| author_role | author |
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| collection | COLIBRI |
| dc.creator.none.fl_str_mv | Jure, Luis Rocamora, Martín |
| dc.date.accessioned.none.fl_str_mv | 2024-04-16T16:21:08Z |
| dc.date.available.none.fl_str_mv | 2024-04-16T16:21:08Z |
| dc.date.issued.es.fl_str_mv | 2017 |
| dc.date.submitted.es.fl_str_mv | 20240416 |
| dc.description.abstract.none.fl_txt_mv | Uruguayan Candombe drumming has deep African roots, and like other musics of the Afro–Atlantic world, its rhythm is timeline–based. The timeline pattern of Candombe, called madera, has many traits in common with similar patterns in Afro–American music, like the son clave. It presents, however, significant differences with the more common uses of timeline patterns in other musics of the same tradition. For instance, instead of a single timeline pattern as in other Afro–Latin–American musics, the madera pattern allows for different variants. In this paper, Music Information Retrieval techniques are applied to a dataset of Candombe recordings in order to analyse the characteristics of the madera pattern, and group and classify its most recurrent variations |
| dc.identifier.citation.es.fl_str_mv | Jure, L, Rocamora, M. "Clave patterns in Uruguayan Candombe drumming" Póster. 16th Rhythm Production and Perception Workshop, RPPW 2017, Birmingham City, UK , 3-5, jul. 2017. |
| dc.identifier.uri.none.fl_str_mv | https://hdl.handle.net/20.500.12008/43513 |
| dc.language.iso.none.fl_str_mv | en eng |
| dc.relation.ispartof.es.fl_str_mv | 16th Rhythm Production and Perception Workshop, RPPW 2017, Birmingham City, UK , 3-5, jul. 2017 |
| dc.rights.license.none.fl_str_mv | Licencia Creative Commons Atribución - No Comercial - Sin Derivadas (CC - By-NC-ND 4.0) |
| dc.rights.none.fl_str_mv | info:eu-repo/semantics/openAccess |
| dc.source.none.fl_str_mv | reponame:COLIBRI instname:Universidad de la República instacron:Universidad de la República |
| dc.subject.other.es.fl_str_mv | Procesamiento de Señales |
| dc.title.none.fl_str_mv | Clave patterns in Uruguayan Candombe drumming |
| dc.type.es.fl_str_mv | Póster |
| dc.type.none.fl_str_mv | info:eu-repo/semantics/conferenceObject |
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| description | Uruguayan Candombe drumming has deep African roots, and like other musics of the Afro–Atlantic world, its rhythm is timeline–based. The timeline pattern of Candombe, called madera, has many traits in common with similar patterns in Afro–American music, like the son clave. It presents, however, significant differences with the more common uses of timeline patterns in other musics of the same tradition. For instance, instead of a single timeline pattern as in other Afro–Latin–American musics, the madera pattern allows for different variants. In this paper, Music Information Retrieval techniques are applied to a dataset of Candombe recordings in order to analyse the characteristics of the madera pattern, and group and classify its most recurrent variations |
| eu_rights_str_mv | openAccess |
| format | conferenceObject |
| id | COLIBRI_3a40f8562ed783ced3a9291650a3ec92 |
| identifier_str_mv | Jure, L, Rocamora, M. "Clave patterns in Uruguayan Candombe drumming" Póster. 16th Rhythm Production and Perception Workshop, RPPW 2017, Birmingham City, UK , 3-5, jul. 2017. |
| instacron_str | Universidad de la República |
| institution | Universidad de la República |
| instname_str | Universidad de la República |
| language | eng |
| language_invalid_str_mv | en |
| network_acronym_str | COLIBRI |
| network_name_str | COLIBRI |
| oai_identifier_str | oai:colibri.udelar.edu.uy:20.500.12008/43513 |
| publishDate | 2017 |
| reponame_str | COLIBRI |
| repository.mail.fl_str_mv | mabel.seroubian@seciu.edu.uy |
| repository.name.fl_str_mv | COLIBRI - Universidad de la República |
| repository_id_str | 4771 |
| rights_invalid_str_mv | Licencia Creative Commons Atribución - No Comercial - Sin Derivadas (CC - By-NC-ND 4.0) |
| spelling | 2024-04-16T16:21:08Z2024-04-16T16:21:08Z201720240416Jure, L, Rocamora, M. "Clave patterns in Uruguayan Candombe drumming" Póster. 16th Rhythm Production and Perception Workshop, RPPW 2017, Birmingham City, UK , 3-5, jul. 2017.https://hdl.handle.net/20.500.12008/43513Uruguayan Candombe drumming has deep African roots, and like other musics of the Afro–Atlantic world, its rhythm is timeline–based. The timeline pattern of Candombe, called madera, has many traits in common with similar patterns in Afro–American music, like the son clave. It presents, however, significant differences with the more common uses of timeline patterns in other musics of the same tradition. For instance, instead of a single timeline pattern as in other Afro–Latin–American musics, the madera pattern allows for different variants. In this paper, Music Information Retrieval techniques are applied to a dataset of Candombe recordings in order to analyse the characteristics of the madera pattern, and group and classify its most recurrent variationsMade available in DSpace on 2024-04-16T16:21:08Z (GMT). No. of bitstreams: 5 JR17.pdf: 6054982 bytes, checksum: 4a561b51c18de8e8165b8f4440dc8f4c (MD5) license_text: 21936 bytes, checksum: 9833653f73f7853880c94a6fead477b1 (MD5) license_url: 49 bytes, checksum: 4afdbb8c545fd630ea7db775da747b2f (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) license.txt: 4244 bytes, checksum: 528b6a3c8c7d0c6e28129d576e989607 (MD5) Previous issue date: 2017eneng16th Rhythm Production and Perception Workshop, RPPW 2017, Birmingham City, UK , 3-5, jul. 2017Las obras depositadas en el Repositorio se rigen por la Ordenanza de los Derechos de la Propiedad Intelectual de la Universidad De La República. (Res. Nº 91 de C.D.C. de 8/III/1994 – D.O. 7/IV/1994) y por la Ordenanza del Repositorio Abierto de la Universidad de la República (Res. Nº 16 de C.D.C. de 07/10/2014)info:eu-repo/semantics/openAccessLicencia Creative Commons Atribución - No Comercial - Sin Derivadas (CC - By-NC-ND 4.0)Procesamiento de SeñalesClave patterns in Uruguayan Candombe drummingPósterinfo:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionreponame:COLIBRIinstname:Universidad de la Repúblicainstacron:Universidad de la RepúblicaJure, LuisRocamora, MartínProcesamiento de SeñalesProcesamiento de 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- Universidad de la Repúblicafalse |
| spellingShingle | Clave patterns in Uruguayan Candombe drumming Jure, Luis Procesamiento de Señales |
| status_str | publishedVersion |
| title | Clave patterns in Uruguayan Candombe drumming |
| title_full | Clave patterns in Uruguayan Candombe drumming |
| title_fullStr | Clave patterns in Uruguayan Candombe drumming |
| title_full_unstemmed | Clave patterns in Uruguayan Candombe drumming |
| title_short | Clave patterns in Uruguayan Candombe drumming |
| title_sort | Clave patterns in Uruguayan Candombe drumming |
| topic | Procesamiento de Señales |
| url | https://hdl.handle.net/20.500.12008/43513 |
