The Hunger Games and the Game of Silences: The Apocalypse within the Apocalypse

Frade Pandolfi, Virginia

Resumen:

An apocalyptic view present in the dystopian novel The Hunger Games (2008) can be broadly analysed through Baudrillard's concept of "simulation" and "simulacra." This article analyses how the mass media is represented in this young-adult dystopian fiction as the new almighty God that can create, but also destroy, real and hyperreal scenarios. The article particularly focuses on the concept of "arena" (present in the trilogy) as a hyperreal territory that acts as a panopticon that ends up reversing its original purpose.


Detalles Bibliográficos
2014
Análisis literario
Medios de comunicación de masas
posmodernidad
Inglés
ANEP. Consejo de Formación en Educación
RIdAA-CFE
http://repositorio.cfe.edu.uy/handle/123456789/653
Acceso abierto
cc by-nc-nd 4.0
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author Frade Pandolfi, Virginia
author_facet Frade Pandolfi, Virginia
author_role author
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http://repositorio.cfe.edu.uy/bitstream/123456789/653/2/Frade%2cV.TheHunger.pdf
collection RIdAA-CFE
dc.creator.filiacion.ES.fl_str_mv CFE
dc.creator.none.fl_str_mv Frade Pandolfi, Virginia
dc.date.accessioned.none.fl_str_mv 2020-04-03T14:49:57Z
dc.date.available.none.fl_str_mv 2020-04-03T14:49:57Z
dc.date.issued.none.fl_str_mv 2014
dc.date.submitted.none.fl_str_mv 2020-04-02
dc.description.abstract.none.fl_txt_mv An apocalyptic view present in the dystopian novel The Hunger Games (2008) can be broadly analysed through Baudrillard's concept of "simulation" and "simulacra." This article analyses how the mass media is represented in this young-adult dystopian fiction as the new almighty God that can create, but also destroy, real and hyperreal scenarios. The article particularly focuses on the concept of "arena" (present in the trilogy) as a hyperreal territory that acts as a panopticon that ends up reversing its original purpose.
dc.format.ES.fl_str_mv pdf
dc.format.extent.ES.fl_str_mv pp. 78-86
dc.identifier.isbn.ES.fl_str_mv ISSN: 0817-458X
dc.identifier.uri.none.fl_str_mv http://repositorio.cfe.edu.uy/handle/123456789/653
dc.language.iso.none.fl_str_mv eng
dc.publisher.ES.fl_str_mv James Cook University, Department of Humanities, School of Arts and Social Sciences
dc.relation.ispartof.ES.fl_str_mv L i N Q (Literature in North Queensland)
dc.rights.ES.fl_str_mv openAccess
dc.rights.license.none.fl_str_mv cc by-nc-nd 4.0
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
dc.source.ES.fl_str_mv LiNQ; Volumen 41 (2014)
dc.source.none.fl_str_mv reponame:RIdAA-CFE
instname:ANEP. Consejo de Formación en Educación
instacron:ANEP. Consejo de Formación en Educación
dc.subject.ES.fl_str_mv Análisis literario
Medios de comunicación de masas
dc.subject.keywords.ES.fl_str_mv posmodernidad
dc.title.none.fl_str_mv The Hunger Games and the Game of Silences: The Apocalypse within the Apocalypse
dc.type.ES.fl_str_mv info:eu-repo/semantics/article
dc.type.version.ES.fl_str_mv published
dc.type.version.none.fl_str_mv info:eu-repo/semantics/publishedVersion
description An apocalyptic view present in the dystopian novel The Hunger Games (2008) can be broadly analysed through Baudrillard's concept of "simulation" and "simulacra." This article analyses how the mass media is represented in this young-adult dystopian fiction as the new almighty God that can create, but also destroy, real and hyperreal scenarios. The article particularly focuses on the concept of "arena" (present in the trilogy) as a hyperreal territory that acts as a panopticon that ends up reversing its original purpose.
eu_rights_str_mv openAccess
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oai_identifier_str oai:repositorio.cfe.edu.uy:123456789/653
publishDate 2014
reponame_str RIdAA-CFE
repository.mail.fl_str_mv mariavaleriapaulo@gmail.com
repository.name.fl_str_mv RIdAA-CFE - ANEP. Consejo de Formación en Educación
repository_id_str 10159
rights_invalid_str_mv cc by-nc-nd 4.0
openAccess
spelling cc by-nc-nd 4.0openAccessinfo:eu-repo/semantics/openAccessFrade Pandolfi, VirginiaCFE2020-04-03T14:49:57Z2020-04-03T14:49:57Z20142020-04-02ISSN: 0817-458Xhttp://repositorio.cfe.edu.uy/handle/123456789/653An apocalyptic view present in the dystopian novel The Hunger Games (2008) can be broadly analysed through Baudrillard's concept of "simulation" and "simulacra." This article analyses how the mass media is represented in this young-adult dystopian fiction as the new almighty God that can create, but also destroy, real and hyperreal scenarios. The article particularly focuses on the concept of "arena" (present in the trilogy) as a hyperreal territory that acts as a panopticon that ends up reversing its original purpose.pdfpp. 78-86engJames Cook University, Department of Humanities, School of Arts and Social SciencesL i N Q (Literature in North Queensland)LiNQ; Volumen 41 (2014)reponame:RIdAA-CFEinstname:ANEP. Consejo de Formación en Educacióninstacron:ANEP. 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spellingShingle The Hunger Games and the Game of Silences: The Apocalypse within the Apocalypse
Frade Pandolfi, Virginia
Análisis literario
Medios de comunicación de masas
posmodernidad
status_str publishedVersion
title The Hunger Games and the Game of Silences: The Apocalypse within the Apocalypse
title_full The Hunger Games and the Game of Silences: The Apocalypse within the Apocalypse
title_fullStr The Hunger Games and the Game of Silences: The Apocalypse within the Apocalypse
title_full_unstemmed The Hunger Games and the Game of Silences: The Apocalypse within the Apocalypse
title_short The Hunger Games and the Game of Silences: The Apocalypse within the Apocalypse
title_sort The Hunger Games and the Game of Silences: The Apocalypse within the Apocalypse
topic Análisis literario
Medios de comunicación de masas
posmodernidad
url http://repositorio.cfe.edu.uy/handle/123456789/653