Photography by Erika Bernhardt
Fotografía de Erika Bernhardt
| 2018 | |
| Español | |
| Universidad Católica del Uruguay | |
| LIBERI | |
|
https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1586
https://hdl.handle.net/10895/3506 |
|
| Acceso abierto |
| _version_ | 1815178701543833600 |
|---|---|
| author | Bernhardt, Erika |
| author_facet | Bernhardt, Erika |
| author_role | author |
| collection | LIBERI |
| dc.creator.none.fl_str_mv | Bernhardt, Erika |
| dc.date.accessioned.none.fl_str_mv | 2023-09-12T19:14:45Z |
| dc.date.available.none.fl_str_mv | 2023-09-12T19:14:45Z |
| dc.date.none.fl_str_mv | 2018-05-04 |
| dc.description.en-US.fl_txt_mv | «A landscape between natural and artificial in the entrance hall. The coldness of marble and the warmth of green. The illuminated house behind the hydrangeas in the darkness of the night. A possible waterfall in a baroque scene. The sheets as an horizon, the water, a twisting profile, reaching the light, the soft and subtle, the raw. Nothing is given, everything could be, the image does not contain everything. The limits between the real and the fictitious are sought after, desired and transformed spaces. There is an illusory search for the timeless and the beauty of strangeness, which finds its way between spaces, places and people, between the duality of the fictional and the real, between familiar and strange sensations. The soft boundary in identifying the one and the other. The search is the shape of the landscape». The photographs —taken between 2014 and 2016, between Madrid and Montevideo— belong to an individual project by the author, entitled Schinus molle, and are part of the collective exhibition Pretexto, inaugurated on March 16, 2018, at the Centro de Fotografía de Montevideo (CDF). Schinus molle also materialized in a book, which received a special mention for its layout, from the jury in the 2017 Call to Editions CDF, in the Latin American Photobook category. As its author defines it, the work proposes the state of transit and travel in relation to nature, to the other and to the image. |
| dc.description.es-ES.fl_txt_mv | «Un paisaje entre natural y artificial en el hall de entrada. La frialdad del mármol y lo cálido del verde. La casa iluminada detrás de las hortensias en la oscuridad de la noche. Una posible cascada en una escena barroca. Las sábanas como horizonte, el agua, un perfil retorciéndose, alcanzar la luz, lo suave y sutil, lo bruto. Nada está dado, todo podría ser, la imagen no lo contiene todo. Los límites entre lo real y ficticio son espacios buscados, deseados y transformados. Existe una búsqueda ilusoria de lo atemporal y de la belleza de la extrañez, que se abre paso entre espacios, lugares y personas, entre la dualidad de lo ficticio y lo real, entre sensaciones familiares y ajenas. El blando límite que se presenta al identificar lo uno y lo otro. La búsqueda es la forma del paisaje». Las fotografías —realizadas entre 2014 y 2016, entre Madrid y Montevideo— pertenecen a un proyecto individual de la autora, titulado Schinus molle, y forman parte de la exposición colectiva Pretexto, inaugurada el 16 de marzo de 2018 en el Centro de Fotografía de Montevideo (CDF). Schinus molle se materializó en la edición de un libro, cuya maqueta recibió una mención especial del jurado en el Llamado a Ediciones CDF 2017, en la categoría Fotolibro Latinoamericano. Como lo define su autora, la obra plantea el estado de tránsito y viaje en relación con la naturaleza, con el otro y con la imagen. |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1586 10.22235/d.v0i28.1586 |
| dc.identifier.uri.none.fl_str_mv | https://hdl.handle.net/10895/3506 |
| dc.language.iso.none.fl_str_mv | spa |
| dc.publisher.es-ES.fl_str_mv | Universidad Católica del Uruguay |
| dc.relation.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1586/1549 |
| dc.rights.none.fl_str_mv | info:eu-repo/semantics/openAccess |
| dc.source.en-US.fl_str_mv | Dixit; No. 28 (2018): Dixit; 104-109 |
| dc.source.es-ES.fl_str_mv | Dixit; Núm. 28 (2018): Dixit; 104-109 |
| dc.source.none.fl_str_mv | 0797-3691 1688-3497 10.22235/d.v0i28 reponame:LIBERI instname:Universidad Católica del Uruguay instacron:Universidad Católica del Uruguay |
| dc.source.pt-PT.fl_str_mv | Dixit; N.º 28 (2018): Dixit; 104-109 |
| dc.title.none.fl_str_mv | Photography by Erika Bernhardt Fotografía de Erika Bernhardt |
| dc.type.none.fl_str_mv | info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| dc.type.version.none.fl_str_mv | info:eu-repo/semantics/publishedVersion |
| description | «A landscape between natural and artificial in the entrance hall. The coldness of marble and the warmth of green. The illuminated house behind the hydrangeas in the darkness of the night. A possible waterfall in a baroque scene. The sheets as an horizon, the water, a twisting profile, reaching the light, the soft and subtle, the raw. Nothing is given, everything could be, the image does not contain everything. The limits between the real and the fictitious are sought after, desired and transformed spaces. There is an illusory search for the timeless and the beauty of strangeness, which finds its way between spaces, places and people, between the duality of the fictional and the real, between familiar and strange sensations. The soft boundary in identifying the one and the other. The search is the shape of the landscape». The photographs —taken between 2014 and 2016, between Madrid and Montevideo— belong to an individual project by the author, entitled Schinus molle, and are part of the collective exhibition Pretexto, inaugurated on March 16, 2018, at the Centro de Fotografía de Montevideo (CDF). Schinus molle also materialized in a book, which received a special mention for its layout, from the jury in the 2017 Call to Editions CDF, in the Latin American Photobook category. As its author defines it, the work proposes the state of transit and travel in relation to nature, to the other and to the image. |
| eu_rights_str_mv | openAccess |
| format | article |
| id | LIBERI_9cd12617a192f91e5d84239dfb4303ee |
| identifier_str_mv | 10.22235/d.v0i28.1586 |
| instacron_str | Universidad Católica del Uruguay |
| institution | Universidad Católica del Uruguay |
| instname_str | Universidad Católica del Uruguay |
| language | spa |
| network_acronym_str | LIBERI |
| network_name_str | LIBERI |
| oai_identifier_str | oai:liberi.ucu.edu.uy:10895/3506 |
| publishDate | 2018 |
| reponame_str | LIBERI |
| repository.mail.fl_str_mv | franco.pertusso@ucu.edu.uy |
| repository.name.fl_str_mv | LIBERI - Universidad Católica del Uruguay |
| repository_id_str | 10342 |
| spelling | Bernhardt, Erika2018-05-042023-09-12T19:14:45Z2023-09-12T19:14:45Zhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/158610.22235/d.v0i28.1586https://hdl.handle.net/10895/3506«A landscape between natural and artificial in the entrance hall. The coldness of marble and the warmth of green. The illuminated house behind the hydrangeas in the darkness of the night. A possible waterfall in a baroque scene. The sheets as an horizon, the water, a twisting profile, reaching the light, the soft and subtle, the raw. Nothing is given, everything could be, the image does not contain everything. The limits between the real and the fictitious are sought after, desired and transformed spaces. There is an illusory search for the timeless and the beauty of strangeness, which finds its way between spaces, places and people, between the duality of the fictional and the real, between familiar and strange sensations. The soft boundary in identifying the one and the other. The search is the shape of the landscape». The photographs —taken between 2014 and 2016, between Madrid and Montevideo— belong to an individual project by the author, entitled Schinus molle, and are part of the collective exhibition Pretexto, inaugurated on March 16, 2018, at the Centro de Fotografía de Montevideo (CDF). Schinus molle also materialized in a book, which received a special mention for its layout, from the jury in the 2017 Call to Editions CDF, in the Latin American Photobook category. As its author defines it, the work proposes the state of transit and travel in relation to nature, to the other and to the image.«Un paisaje entre natural y artificial en el hall de entrada. La frialdad del mármol y lo cálido del verde. La casa iluminada detrás de las hortensias en la oscuridad de la noche. Una posible cascada en una escena barroca. Las sábanas como horizonte, el agua, un perfil retorciéndose, alcanzar la luz, lo suave y sutil, lo bruto. Nada está dado, todo podría ser, la imagen no lo contiene todo. Los límites entre lo real y ficticio son espacios buscados, deseados y transformados. Existe una búsqueda ilusoria de lo atemporal y de la belleza de la extrañez, que se abre paso entre espacios, lugares y personas, entre la dualidad de lo ficticio y lo real, entre sensaciones familiares y ajenas. El blando límite que se presenta al identificar lo uno y lo otro. La búsqueda es la forma del paisaje». Las fotografías —realizadas entre 2014 y 2016, entre Madrid y Montevideo— pertenecen a un proyecto individual de la autora, titulado Schinus molle, y forman parte de la exposición colectiva Pretexto, inaugurada el 16 de marzo de 2018 en el Centro de Fotografía de Montevideo (CDF). Schinus molle se materializó en la edición de un libro, cuya maqueta recibió una mención especial del jurado en el Llamado a Ediciones CDF 2017, en la categoría Fotolibro Latinoamericano. Como lo define su autora, la obra plantea el estado de tránsito y viaje en relación con la naturaleza, con el otro y con la imagen.application/pdfspaUniversidad Católica del Uruguayhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1586/1549Dixit; No. 28 (2018): Dixit; 104-109Dixit; Núm. 28 (2018): Dixit; 104-109Dixit; N.º 28 (2018): Dixit; 104-1090797-36911688-349710.22235/d.v0i28reponame:LIBERIinstname:Universidad Católica del Uruguayinstacron:Universidad Católica del UruguayPhotography by Erika BernhardtFotografía de Erika Bernhardtinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/openAccess10895/35062023-09-12 16:14:45.979oai:liberi.ucu.edu.uy:10895/3506Universidadhttps://www.ucu.edu.uy/https://liberi.ucu.edu.uy/oai/requestfranco.pertusso@ucu.edu.uyUruguayopendoar:103422023-09-12T19:14:45LIBERI - Universidad Católica del Uruguayfalse |
| spellingShingle | Photography by Erika Bernhardt Bernhardt, Erika |
| status_str | publishedVersion |
| title | Photography by Erika Bernhardt |
| title_full | Photography by Erika Bernhardt |
| title_fullStr | Photography by Erika Bernhardt |
| title_full_unstemmed | Photography by Erika Bernhardt |
| title_short | Photography by Erika Bernhardt |
| title_sort | Photography by Erika Bernhardt |
| url | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1586 https://hdl.handle.net/10895/3506 |
