Photography by Pablo Porciúncula
Fotografía de Pablo Porciúncula
2017 | |
Español | |
Universidad Católica del Uruguay | |
LIBERI | |
https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1507
https://hdl.handle.net/10895/3494 |
|
Acceso abierto |
_version_ | 1815178701539639296 |
---|---|
author | Porciúncula, Pablo |
author_facet | Porciúncula, Pablo |
author_role | author |
collection | LIBERI |
dc.creator.none.fl_str_mv | Porciúncula, Pablo |
dc.date.accessioned.none.fl_str_mv | 2023-09-12T19:14:39Z |
dc.date.available.none.fl_str_mv | 2023-09-12T19:14:39Z |
dc.date.none.fl_str_mv | 2017-11-14 |
dc.description.en-US.fl_txt_mv | "From the Window" series started as a game to make sense of an Instagram account that I had to open and to which I couldn't find any use for. Shortly after starting, it became an instrument to reflect on photography and glance. The window from which I photograph frames the Plaza Independencia in Montevideo, where I work with other colleagues. Several of us took pictures from that point. Sometimes we coincide in the moment of taking the photos, but we never do so in the plane value, the type of frame or the center of interest. Some of these colleagues —who know the series well— while standing at the window and even hand-helding the camera, have called me sometimes saying: "Look: there you have one of your photos". Over time, our photographs give us clues about the way we look, about the themes or shapes that catch the attention of our eyes and that we cannot avoid photographing. The series, like this one, seem to show that in a powerful way. |
dc.description.es-ES.fl_txt_mv | La serie Desde la Ventana se originó como un juego para darle sentido a una cuenta de Instagram que debí abrir y a la que no le encontraba ninguna utilidad. A poco de comenzar, se convirtió en un instrumento para reflexionar sobre la fotografía y la mirada. La ventana desde la que fotografío enmarca la Plaza Independencia de Montevideo, donde trabajo junto a otros colegas. Varios fotografiamos desde ese punto. En ocasiones coincidimos en el momento de tomar las fotos, pero nunca lo hacemos en el valor de plano, el tipo de encuadre o el centro de interés. Algunos de estos colegas —que conocen bien la serie—, apostados en la ventana e incluso con cámara en mano, me han llamado alguna vez diciendo: “mirá: ahí tenés una de tus fotos”. A lo largo del tiempo, nuestras fotografías nos van dando pistas sobre el modo en que miramos, sobre los temas o las formas que atrapan la atención de nuestra mirada y que no podemos dejar de fotografiar. Las series como esta parecen evidenciarlo de un modo contundente. |
dc.format.none.fl_str_mv | application/pdf |
dc.identifier.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1507 |
dc.identifier.uri.none.fl_str_mv | https://hdl.handle.net/10895/3494 |
dc.language.iso.none.fl_str_mv | spa |
dc.publisher.es-ES.fl_str_mv | Universidad Católica del Uruguay |
dc.relation.none.fl_str_mv | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1507/1471 |
dc.rights.none.fl_str_mv | info:eu-repo/semantics/openAccess |
dc.source.en-US.fl_str_mv | Dixit; No. 27 (2017): Dixit; 116-121 |
dc.source.es-ES.fl_str_mv | Dixit; Núm. 27 (2017): Dixit; 116-121 |
dc.source.none.fl_str_mv | 0797-3691 1688-3497 10.22235/d.v0i27 reponame:LIBERI instname:Universidad Católica del Uruguay instacron:Universidad Católica del Uruguay |
dc.source.pt-PT.fl_str_mv | Dixit; N.º 27 (2017): Dixit; 116-121 |
dc.title.none.fl_str_mv | Photography by Pablo Porciúncula Fotografía de Pablo Porciúncula |
dc.type.none.fl_str_mv | info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
dc.type.version.none.fl_str_mv | info:eu-repo/semantics/publishedVersion |
description | "From the Window" series started as a game to make sense of an Instagram account that I had to open and to which I couldn't find any use for. Shortly after starting, it became an instrument to reflect on photography and glance. The window from which I photograph frames the Plaza Independencia in Montevideo, where I work with other colleagues. Several of us took pictures from that point. Sometimes we coincide in the moment of taking the photos, but we never do so in the plane value, the type of frame or the center of interest. Some of these colleagues —who know the series well— while standing at the window and even hand-helding the camera, have called me sometimes saying: "Look: there you have one of your photos". Over time, our photographs give us clues about the way we look, about the themes or shapes that catch the attention of our eyes and that we cannot avoid photographing. The series, like this one, seem to show that in a powerful way. |
eu_rights_str_mv | openAccess |
format | article |
id | LIBERI_4d901df0e23545b63d22b70aaf7a554e |
instacron_str | Universidad Católica del Uruguay |
institution | Universidad Católica del Uruguay |
instname_str | Universidad Católica del Uruguay |
language | spa |
network_acronym_str | LIBERI |
network_name_str | LIBERI |
oai_identifier_str | oai:liberi.ucu.edu.uy:10895/3494 |
publishDate | 2017 |
reponame_str | LIBERI |
repository.mail.fl_str_mv | franco.pertusso@ucu.edu.uy |
repository.name.fl_str_mv | LIBERI - Universidad Católica del Uruguay |
repository_id_str | 10342 |
spelling | Porciúncula, Pablo2017-11-142023-09-12T19:14:39Z2023-09-12T19:14:39Zhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1507https://hdl.handle.net/10895/3494"From the Window" series started as a game to make sense of an Instagram account that I had to open and to which I couldn't find any use for. Shortly after starting, it became an instrument to reflect on photography and glance. The window from which I photograph frames the Plaza Independencia in Montevideo, where I work with other colleagues. Several of us took pictures from that point. Sometimes we coincide in the moment of taking the photos, but we never do so in the plane value, the type of frame or the center of interest. Some of these colleagues —who know the series well— while standing at the window and even hand-helding the camera, have called me sometimes saying: "Look: there you have one of your photos". Over time, our photographs give us clues about the way we look, about the themes or shapes that catch the attention of our eyes and that we cannot avoid photographing. The series, like this one, seem to show that in a powerful way. La serie Desde la Ventana se originó como un juego para darle sentido a una cuenta de Instagram que debí abrir y a la que no le encontraba ninguna utilidad. A poco de comenzar, se convirtió en un instrumento para reflexionar sobre la fotografía y la mirada. La ventana desde la que fotografío enmarca la Plaza Independencia de Montevideo, donde trabajo junto a otros colegas. Varios fotografiamos desde ese punto. En ocasiones coincidimos en el momento de tomar las fotos, pero nunca lo hacemos en el valor de plano, el tipo de encuadre o el centro de interés. Algunos de estos colegas —que conocen bien la serie—, apostados en la ventana e incluso con cámara en mano, me han llamado alguna vez diciendo: “mirá: ahí tenés una de tus fotos”. A lo largo del tiempo, nuestras fotografías nos van dando pistas sobre el modo en que miramos, sobre los temas o las formas que atrapan la atención de nuestra mirada y que no podemos dejar de fotografiar. Las series como esta parecen evidenciarlo de un modo contundente. application/pdfspaUniversidad Católica del Uruguayhttps://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1507/1471Dixit; No. 27 (2017): Dixit; 116-121Dixit; Núm. 27 (2017): Dixit; 116-121Dixit; N.º 27 (2017): Dixit; 116-1210797-36911688-349710.22235/d.v0i27reponame:LIBERIinstname:Universidad Católica del Uruguayinstacron:Universidad Católica del UruguayPhotography by Pablo PorciúnculaFotografía de Pablo Porciúnculainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/openAccess10895/34942023-09-12 16:14:39.762oai:liberi.ucu.edu.uy:10895/3494Universidadhttps://www.ucu.edu.uy/https://liberi.ucu.edu.uy/oai/requestfranco.pertusso@ucu.edu.uyUruguayopendoar:103422023-09-12T19:14:39LIBERI - Universidad Católica del Uruguayfalse |
spellingShingle | Photography by Pablo Porciúncula Porciúncula, Pablo |
status_str | publishedVersion |
title | Photography by Pablo Porciúncula |
title_full | Photography by Pablo Porciúncula |
title_fullStr | Photography by Pablo Porciúncula |
title_full_unstemmed | Photography by Pablo Porciúncula |
title_short | Photography by Pablo Porciúncula |
title_sort | Photography by Pablo Porciúncula |
url | https://revistas.ucu.edu.uy/index.php/revistadixit/article/view/1507 https://hdl.handle.net/10895/3494 |